Tag Archives: Gasworks

Gasworks & Camera Club

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Gasworks

Do you like knitwear? Do you like exhibition spaces that are never boring? Then you’re in luck as we just saw the thought provoking show ‘Holes’ at Gasworks Gallery in Oval  by UK based Ukrainian artist Anna Perach

Using the medium of knitted wool, Perach explores how the female body is viewed by a male patriarchy as something that transgresses nature and morality, a good example being 17th century witch trials. This is about control, and Perach most vividly captures this in a richly decorated anatomical Venus sculpture in the middle of the room. Even without interpretation, the textiles are a sight to behold and even the doors are knitted. We suggest handling the doors carefully to avoid being told off, as we were.

At its core, Holes is about women having agency and gaining control of their bodies and presented in a way that transcends flesh. We’re aware that this all sounds like a very heavy buzzkill, but the textiles are really quite beautiful and a pleasing way to build some brain cells. It also smells nice.

Holes is on now until 26 April and is totally free. Gasworks is open Wed – Sun 12 to 6. 

Camera Club 

We also recently visited the show ‘Hortus Maximus’ at the little known Camera Club off Kennington Cross. The exhibit is about vegetables and was originally created as a site specific installation for the walls of Cinnamon Kitchen in Bishopsgate by the artist Cinnamon Faye. We’re not exactly sure if she was named after the restaurant but we’re looking into it. 

In a world of Tesco meal deals and Frankenfoods, this exhibit is a celebration of edible plants and the remarkable shapes they possess. Shot in large format monochrome using natural light, the foods are printed to resemble etchings of fossils or petrified wood. Faye has focussed on chilis and other foods known for their healing properties, with a few bendy gourds that look nice under a camera. The show also features women from around the world presenting themselves to the planet while holding vegetables. 

As obscure as the Camera Club is to most of us, it is one of the longest running photographic societies in the world. We know this to be true as we read it online. Hortus Maximus is open now until 23 Feb and is totally free. The Camera club is open daily from 11:00am to 10:00pm and weekends from 10:00am to 6:00pm. And we have no idea why they’re open over 70 hours a week. 

Nocturne at Gasworks

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If you visit us regularly here on the Runoff you’re aware that when a new show arrives at Gasworks Gallery in Vauxhall we like to check it out for you. If you’ve never been to Gasworks it’s located at the Oval end of Vauxhall St. and is perfect if what you really demand from a gallery involves Styrofoam coffins or dolls that talk to you. 

The current installation at Gasworks is ‘Nocturne’ by Swedish artist Ingela Ihrman. Her practice focusses on nurturing empathy and a sense of wonder at all living creatures, with an emphasis on cave dwelling Oilbirds. Guests can literally merge with nature itself by walking through the exhibit while wearing a sculptural cloak made from wool and, um, air fresheners, which can be found behind the reception desk 

The gallery itself is cast in cave like semi darkness, with some quite beautiful hand made feathers dangling from the ceiling. There are also two video installations, the first being a gastroscopic journey through the digestive tract of a snake. In the second, the artist feeds a handmade Oilbird a variety of fruits, including a pineapple that is bigger than the bird itself. The overarching theme being a thought provoking examination of how we rely on nature and it relies on us. There are other themes too, but we’d never do your thinking for you you’ll have to check it out for yourself. 

Ingela Ihrman: Nocture is on now until 30 April and is totally free. Gasworks Gallery is open Wednesday to Sunday 12 – 6. 

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Deadname @ Gasworks Gallery

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If you visit us regularly here on the Runoff you’re aware that when a new show arrives at Gasworks Gallery in Vauxhall we like to check it out for you. If you’ve never been to Gasworks it’s located at the Oval end of Vauxhall St. and is perfect if what you demand from a gallery involves Styrofoam coffins or dolls that talk to you. 

The new exhibition at Gasworks is called ‘Earth is a Deadname’ by Rotterdam based artist Lou Lou Sainsbury. This show was commissioned by Gasworks and is an exploration of transgender life outside the limiting language of medicalisation. The exhibition revolves around a performance film which touches on aspects of intimacy, feelings of difference, chance encounters, and evolution. A giant cymbal also features on screen and over your head but were going to leave that interpretation up to you. There is also a bedroom cabinet in the room with a range of items telling us that the trans experience is a collective one of unmaking and making the body. 

The larger gallery is dominated by a large scale glass installation with fluctuating levels of transparency, again alluding to the trans journey. As the journey is rarely straightforward, imbedded in the glass are trapped cigarette butts, dried flowers and other debris. The exhibition is punctuated by flesh like texts on the walls which swell like scars or stigmata. All very thought provoking for a little gallery in Vauxhall, and time well spent. 

Earth is a Deadname is on now until 18 September and is totally free. Gasworks is only open in the second half of the week so have a look at their website. The amber resin on the floor is part of the exhibit, so in your leaving comments please don’t write ‘Sainsbury, clean up in aisle one’!!!!!  (we couldn’t help ourselves). 

Expiring at Gasworks

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If you follow art historical debates as fervently as our snooty ‘Culture’ department here at the Runoff does, then you’ll be aware that there are big debates afoot about the repatriation of objects that have been, lets say, ‘liberated’ from other cultures. Examples are the Elgin Marbles and Benin sculptures at the British Museum. The current exhibit at the Gasworks Gallery in Vauxhall takes a different approach to this question by asking museums to assess their relationship with life and death….Stick with us…..

The show is called ‘out of an instance of expiration comes a perennial showing’ and is by LA based artist Gala Porras-Kim. In addition to raising questions about the use of capital letters, the artist raises questions about the conservation of human remains and if sacred objects meant for the afterlife are devoid of meaning if extracted from a tomb and put on display, and to get her point across there’s even a giant sarcophagus in the main room. Next to the works are letters to museums asking about their curatorial practice and in one curious note she asks a curator if a mummy had been consulted before he was put on display.

As you walk through the works in the small space, the content of what is being asked becomes more apparent. How do we understand and respect items associated with death and how do institutions respect and deal with items in their collections which are still living (eg in an afterlife)? And if you prefer your art exhibits to involve mould spores and the contents of vacuum cleaner bags then this exhibit doesn’t disappoint. I mean this is Gasworks, after all. 

As you know, we love free stuff and on Tuesday, 8 March at 7pm Gasworks will have a free talk about Pharaonic music and how the ancient Egyptians made instruments.  Admittedly when we first saw this we thought it said Pharrell, but at least there’s still music involved. 

Out of an instance of expiration comes a perennial showing is on now until 27 March and, like all good stuff, free. Look at website for opening hours. 

I AM ERROR at Gasworks

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Today we attended the first day of the thought provoking exhibit I AM ERROR at Gasworks Gallery in Oval/Vauxhall by young artist Bassam Al-Sabah. Al-Sabah’s family were exiled from Baghdad to Dublin during the Persian Gulf War and this work, largely CGI and video based, explores themes of metamorphosis, change, adaptation, perseverance and reinvention.

The main gallery (there are only two) explores constructions of masculinity in what appear to be action adventure video games from the 90’s mixed in with a few papier mache heads and flies on the floor. The centrepiece is a 28 minute looped immersive film depicting a man being contorted by various forces out of his control, and this continues in the next room. The effect is strangely calming and introspective. The press release describes it as combining ‘fantasy erotica and body horror’. 

Recently we’ve all been exposed to change and transformation that has been out of our control, from the bulldozing and recreation of Elephant and Vauxhall to a virus that has altered our reality and lifestyles beyond recognition. And after eating takeaways for the past 18 months most of us have experienced a bit of ‘body horror’ ourselves, so we can all relate.

Gasworks is open Wednesday to Sunday from 12 to 6 and is totally free and air conditioned. And if you look on their website there are other free events to make you feel cultural and superior to your neighbours. 

Gasworks Gallery (breathspace)

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This review was written before ‘Lockdown fois deux’ was announced on Saturday evening, but it will invariably still be around when we are allowed to visit cultural institutions again, so put this in that little pocket diary we’ve been telling you to keep for the past two years, and think of it as something to look forward to. 

The exhibit at Gasworks is the first UK solo exhibition from Buenos Aries based artist Eduardo Navarro and, according to our guide, (breathspace) was originally scheduled to premiere in April. Navarro’s plans were meant to transform the gallery into a living, breathing organism in the shape of a gigantic lung. The lung was meant to encourage visitors to synchronise their most vital functions with one another ‘offering a space for collective meditation and oceanic breathing’. 

Given that sharing breathing and bodily functions isn’t exactly…lets say, ‘on trend’ at the moment, in a post lockdown Buenos Aries Navarro decided to relocate this work inside his head. The 100 drawings featured in the exhibition represent a synthesis of the body and what he found in his home at the time, reminding us that our homes and bodies are not somewhat differentiated display lockdown and we are compelled to rely on inanimate objects. Through a little portal you’ll find a video display of pulsating quantum physical lights, maybe alluding to the idea that society won’t be destroyed no matter what is thrown at it. 

The central feature of (breathspace) is a tiny stuffed humanoid creature on a stool. It reminded us a little of something a three year old niece would give you for Christmas, requiring you to say ‘well, isn’t THAT something?’. Apparently, at a time of social distancing the doll serves as a metaphor for a loss of communication and loneliness. The doll is fitted with a microphone and at certain times of the day Navarro himself speaks through the doll and communicates with people. If that had happened we would have probably run into the street in screaming panic. To see the doll actually talking to people click here….

(breathspace) is not open now and will not be open for the foreseeable future. But write it down for a random date in January and prepare yourself for a bit of fun. 

Sidsel Meineche Hansen: SECOND SEX WAR at Gasworks

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We rather like visiting Gasworks since their refurb. It’s a lovely building, open on the weekend which suits us, and we’re generally the only visitors.

The current exhibition won’t be to everyone’s taste, and is definitely not suitable for children. SECOND SEX WAR is a solo exhibition by London-based artist Sidsel Meineche Hansen, which “explores the commodity status of 3D bodies in X-rated digital image production, while also reflecting on the artist’s working conditions and relationships”.

The exhibition provides a chance to try an Occulus virtual reality headset, showing a CGI animation called DICKGIRL 3D, or you can watch it on a flat screen TV hung from a “DIY BDSM” structure:

DICKGIRL 3D at Gasworks - kenningtonrunoff.com

There’s also a CGI animation called No Right Way 2 Cum, a feminist ‘cum shot’ video, which features EVA v3.0, a stock 3D model made for computer games and adult entertainment. This was made in response to the British Board of Film Classification’s recent ban on female ejaculation in UK-produced pornography. We don’t want an X certificate on this blog, so here’s a huge clay relief instead, called Cultural Capital Cooperative Object:

Cultural Capital Cooperative Object at Gasworks - kenningtonrunoff.com

We think these laser cut drawing are called iSlave (non-dualistic) and Wannabe Dickgirl:

iSlave (non-dualistic) and Wannabe Dickgirl - kenningtonrunoff.com

During our visit there was something going on in another room at Gasworks marked “participatory” or some such, but we were too scared to enter.

SECOND SEX WAR was commissioned by Gasworks in partnership with Trondheim’s kunstmuseum, which seems appropriate. It runs until May 29th at Gasworks, 155 Vauxhall Street, London SE11 5RH.

Opening times: Wed–Sun 12–6pm or by appointment.

Gasworks gallery

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2015 was a big year for Gasworks gallery – they reopened to the public in September after purchasing the freehold on their Vauxhall Street site (next door to the actual gasworks, hence the name), and getting it redeveloped by architects HAT Projects.

Gasworks gallery exterior - kenningtonrunoff.com

The new look gallery is lovely and now fully accessible, and we loved 50% of the current exhibition by Guatemalan artist Naufus Ramírez-Figueroa.

The first room is called Babylonian Fantasy and features four sculptures like this:

Babylonian Fantasy by Naufus Ramirez-Figueroa at Gasworks - kenningtonrunoff.com

We liked these pieces less once we read that they were inspired by David Icke, but we loved the second and final room, an instillation called God’s Reptilian Finger. Here’s a photo of said finger and other objects, although you really need to be in the room to experience it properly:

God's Reptilian Finger by Naufus Ramirez-Figueroa at Gasworks - kenningtonrunoff.com

Like Newport Street Gallery, Gasworks purports to be in Vauxhall but they are yards from the Oval Cricket Ground and we’d say they’re in South Kennington (AKA Oval). They have been around since 1994 running the gallery and offering studio space to artists, amongst other non-profit making activities.

They reopen on Wednesday after a Christmas break, and they’re open Wednesdays to Sundays midday to 6pm whenever there’s an exhibition on. Yes, this means they’re open Saturdays and Sundays, unlike some of Kennington’s galleries, so there’s no excuse not to get along before this exhibition closes on February 7th.

Address: 155 Vauxhall Street, London SE11 5RH.