The eccentric and independent nature of Greater Kenningtonians runs deep in our history and veins. In our midst we once had living a visionary artist who was cast out by the artistic establishment due to his refusal to accept to artistic norms and being from south London. Maybe this piece will go a small way in reviving his legacy. 

Austin Osman Spare (1886 – 1956) and his family moved to Kennington Park Gardens when he was a boy and Spare trained as an illustrator and artist. He got his first big break when he was just 17 with an exhibit at Newington Public Library (now the Art Academy) in Walworth Road. He followed this success with having a picture displayed at the Royal Academy, and was soon lauded as the new enfant terrible of his generation. This was spurred on by Spare’s wild hair and love of giving outrageous interviews. 

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In spite of his increasing fame, Spare decided to pursue his own style which proved increasingly out of step with the art establishment. He dabbled into the furthest reaches of his imagination with coded paintings and illustrations depicting the unconscious, the occult, graphic images of sex, and paganism. Spare achieved this by painting in what he referred to as trance like states enhanced by mysticism. You can imagine his body of work was not exactly in step with post Victorian tastes as he was far ahead of his time and was marginalised as a result.

Unsurprisingly, as Spare’s art was not to everyone’s tastes he faded into obscurity and penury. However, our local boy continued to give interviews and churn out work from his tiny flat/studio at the top of Walworth Rd. He believed that art should be enjoyed by everyone, and he often displayed his art in local pubs. After his studio was bombed in WW2, Spare lost much of his collection and confidence and began to build up both gradually. The culminated in a large exhibition of his work at his local, the White Bear pub in Kennington Park Road in 1953. When this turned out to be a flop he retired and died several years later. What we are left with is his groundbreaking oeuvre of work and a realisation that we can all leave impressions after we’ve departed Greater Kennington. 

The best way to appreciate Spare’s work today is to examine online collections, as his work is still usually not on display. He also had an endearing side hustle in painting his friends and neighbours. The BBC clip below relates to a 2010 exhibit of his work at the Cuming Museum: