The Brandon Estate

From the archives, the fifth and next to last of our month of best history posts

If you’ve ever been to the back half of Kennington Park, or indeed if you live there, you would have noticed the large towers that constitute the most vertical part of the fascinating 36 acre Brandon Estate in Walworth.  Visionary Architect and Communist Edward Hollamby was the principal designer and most of the work was underway by 1956, with his brief by the LCC to capitalise on the post war enthusiasm generated by the Festival of Britain on the Southbank. 

At the eastern Lorrimore Road end of the Estate, Hollamby tried to preserve the pre war Victorian street pattern and keep the few homes that survived, while filling in the holes with modern three bedroom properties. In Forsyth Gardens he created a new square lined with four story maisonettes with a central garden intended as a ‘revival of Georgian town planning traditions’. 

On the other side of Cook’s Road the Estate took on a more striking and risque modernist form. Napier Tower was at the threshold of the foot friendly shopping precinct and beyond it the signature 18 storey blocks nestled into Kennington Park, and in 1957 they were the tallest the LCC had built. As you walk around the Brandon Estate today you’ll notice that it is a very early example of the ‘mixed use’ development. It provided a range of housing options for different kinds of families at different stages of their lives interspersed with shopping for people who don’t drive. 

If you watched ‘Doctor Who’ from 2005 – 2010, you might recognise the Estate as one of the most iconic locations of those series. The Estate, known as the ‘Powell Estate’ in the show, was home to Rose Tyler (Billie Piper) and her mum. The poor courtyard in front of their flat witnessed a TARDIS crash landing, a cyber ghost invasion, and even the Tenth Doctor’s (David Tennant) regeneration.

The Estate is also home to a beautiful Henry Moore statue which we wrote about in 2020

Necropolis Railway

From the archives, the fourth of our month of best history posts

If you’ve ever spotted this rather grand looking building at 121 Westminster Bridge Road you might have wondered what function it once served. For the first half of the 20th century, dear reader, this was the London Necropolis railway station and has been referred to as ‘the strangest and spookiest railway line in British history’.  

In the first half of the 19th  century London’s population surged from one million to almost 2 1/2 million. Churchyards were running out of space to bury the dead and something had to be done, so a plan was hatched by two enterprising men to purchase land near Woking for an enormous cemetery. The idea was that it was far enough away to prevent the bodies from posing a threat to public health, but close enough to let grieving relatives attend funerals without too much hassle. The icing on the cake being that a Waterloo to Woking line had just opened up. 

As you can imagine, people at Waterloo were none too keen on seeing corpses and mourners whizz by as they sat in their 19th century Starbucks, so a separate train station was built behind Waterloo in what is now Leake St. The building was specially designed for mourners and had private waiting rooms, restaurants, and first to third class services. One could depart with their recently departed in the morning, attend a weepy funeral midday, and be back by teatime.  Talk about Victorian multitasking.

The Original

By the end of the 19th century Waterloo station was expanding and  Necropolis station had to be moved. In 1902 the station found it’s present home and out of respect to the dearly departed the builders wanted to make it as attractive as a funeral director’s office, so few expenses were spared. The line was eventually shifting almost 2000 corpses a year until the line was damaged in WW2, and a decision was made to consign it to history, like the many souls it escorted. 

The railway service proved so popular that it even had it’s own rolling stock. However, the reason for this could actually be that if folks knew they had bought a ticket for a train used to carry dead people they could feel like they’d been, well, ‘stiffed’. 

And if you’re still curious, someone has even found enough time to write a book about our little railway to the other side.

The Great Conjurer of Kennington

From the archives, the third of our month of best history posts

Greater Kennington has always had its share of eccentrics, and a prime Victorian example can be found in magician, humourist and collector Henry Evanion (1832-1905) who lived his entire life in Kennington and Oval. During its dying decades Henry’s family sold sweets and tickets at Vauxhall Gardens, and it was there that he came into contact with mimes, jugglers, clowns and tight rope walkers. Supported by his wife Mary Ann and extended family who ran a sweet shop business at 221 Kennington Rd, he began to develop tricks of illusion and ventriloquism that evolved into a rather elaborate show. Delivered, no less, with a fake French accent. 

As Henry’s act evolved he began to tour the southeast and even performed for the royal family on three occasions, with the gig at Sandringham billed as ‘The Grand Feat of the Globes of  Fire, Fish and Birds’. Henry seriously milked this royal connection and it helped with bookings, but there were long stretches where our local boy had no work. He used this time to furiously research new ways to diversify his act, coming up with tricks such as ‘Vulcan’s Chain’, ‘The Mystic Parrot’ and ‘The Japanese Lady’s Reception’. At the time he was living in what is now Montford Place behind the present day Pilgrim pub. 

Henry’s long suffering and very patient wife would sometimes perform as his assistant (a kind of Victorian Debbie McGee) but she had a proper job running a sweet shop so this didn’t last very long. Henry decided to drag people in the crowd onto the stage to act as assistance, which was made easier by his jokiness and quick wit.  His shows were an assortment of magical effects, illusions, juggling and ventriloquism presented rapidly with trick following trick. Henry was also an avid collector of playbills, posters and items associated with magic and other forms of entertainment.

While working with mystic parrots, setting things on fire, and sawing people in half might sound very glamorous, it isn’t the most lucrative of professions and later in life Henry and Mary Ann fell on hard times. Living in the basement flat at 12 Methley Street, at the end of his life Henry befriended no other than the great Harry Houdini while he was in the UK. Houdini was fascinated and inspired by Henry, and on their first meeting spent almost 24 hours with Henry in Methley St. Houdini ended up purchasing some of Henry’s collection of magical ephemera. The rest of his collection was endowed to the British Museum, and gives us a fascinating insight into late Victorian light entertainment. 

St. Agnes Place, London’s Longest Running Squat

From the archives, the second of our month of best history posts

For a period of over 35 years London’s longest running squat was to be found in our very own beloved Kennington Park. In 1969 Lambeth purchased a beautiful terrace of Victorian properties in St. Agnes Place with the intention of demolishing them to extend the park southwards. As the plans sputtered and the council changed hands the buildings became derelict and occupied by squatters, who over the years made the buildings secure and liveable. 

In 1977 Lambeth made a concerted effort to evict the squatters and a large chunk of the properties were destroyed by the council. However, complete expulsion was successfully resisted by squatters refusing to leave by standing on the rooftops. A large and very high profile High Court battle ensued which garnered national attention. The court and the public were on the side of the squatters, and Lambeth were forced to stop pulling down the buildings. A much smaller but much more high profile terrace of homes survived. The conservative leader of Lambeth council, however, did not survive and was forced to step down.  

In the years that ensued the residents were mostly left to their own devices. They enhanced their autonomous community with a social centre, studios for musicians, a pirate radio station, and a separate Rastafarian temple (it was estimated that 1/3 of the residents were Rastafarian). A place of great religious significance for Rastafari, the great Bob Marley himself visited the temple several times when he was recording in London in the late ‘70’s. And far from being derelict, the residents renovated the flats by means of electricity, re – roofing and running water.

As the years progressed the squat became more well known and with the addition of people from Spain, Brazil and Portugal had a more cosmopolitain vibe. According to residents the community had little crime, folks knew one another, and people helped the most vulnerable residents. However, in 2005 Lambeth got its act together and the squatters were faced with the choice of either leaving or paying 30 years of council tax, so the police arrived to empty St. Agnes Place of it’s 150 strong community. For a couple of years after the building was occupied by a small group of various protestors but they soon acquiesced and the community and buildings were consigned to history. 

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My Chaii..The Anti Pret

We hope all of you people had a lovely Christmas and have now returned all the gifts you didn’t want. We were unsure how to spend our Christmas bonus, but when the bonus amounted to a handful of Milk Tray being thrown into our cubicle by the CFO, that decision was more or less taken out of our hands. 

We recently paid a visit to the adorable community café ‘My Chaii’, which is located in Opal Street just off Kennington Lane. My Chaii is Halal, with a menu to veers toward Indian, which is just fine with us. The extremely friendly server walked us through all of the options and your scribe settled on the kebab wrap. It seemed a bit more like a hoisin duck but was very tasty and well proportioned with a good meat to veg ratio. Perfectly lunch sized.

Brenda from the mailroom chose the chicken biryani. This was nicely homemade, moderately spicy with pieces of marinated chicken tikka throughout. The generous portion came served with a small lettuce salad on the plate, and at £5 this was the bargain worth going for. Brenda also took a side order of vegetable samosas. These again tasted homemade, with a very light and crisp pastry. An array of sauces were offered and we opted for a chilli chutney (blow your head off spicy) and a sweet kebab sauce.

All of the food outlined above, with two Coke Zeros, came to the grand total of £12.50. And from 5 to 7pm My Chaii has their Happy Hour, which means you get a free chaii with every main. Of course when we were talking about happy hour, Phil once again fell out of this chair and exclaimed ‘happy hour? What? Where? Can I come?’. Calm down Phil, this only involves a cup of tea. So if you want to give back to our community as opposed to the multinational that owns Pret, here you go! 

Sundy and Neither

With a little more time on your hands over the next few days, you might be seeking a pedestrian destination and we have a suggestion for you.  A few years ago two empty shop fronts were converted into petite, pop up gallery spaces. One is called Sundy and is at 63 Black Prince Road in Vauxhall. The other is called Neither and is at 3 Wincott Parade in Kennington. Although they have restrictive opening times, through the windows we’ve enjoyed the cutting and sometimes playful displays that rotate every few weeks. 

The ownership of these mysterious yet delightful shop fronts began to intrigue us so the mandarins at Runoff Towers gave us leave to undertake some independent research. Neither is an operated by  Corvi Mora gallery in Elephant. Sundy is also a commercial gallery and this little shop front acts as their primary exhibition space.

At Neither, one of the pieces is by sculptor Julian Opie of Blur album cover fame (for Millenials who have no idea who Blur are click here). The other is by Charles LeDray. At the time of writing this show was ending but the works might still be there. At Sundy the works are a bit harder to see and are by Tobias Teschner. 

We’d like to give a shout out to @guyaker for reminding us of these little mysteries and to also congratulate him on his impeccable taste in blogs. 

Capheum

When we recently yelled out in the office ‘who’d like a lunchtime drink’ Phil from accounts reflexively leapt out of his chair, but was crestfallen when we he discovered he’d be heading to brand spanking new coffee emporium ‘Capheum’. Capheum is nestled subtly in a former tattoo parlour in that sketchy bit of Kennington Park Road down from Tesco Express and the dreary pub Oaka. We love them already. 

When we arrived, our first impressions were of a clean, bright and petite (four or five tables) boutique coffee/tea house with the usual range of coffees and a small but pleasing array of pastries. The owner explained that they are supplied by the award winning Celtic Bakeries which is all delightful but as they’re not based in Greater Kennington we weren’t interested.  Your scribe had an Americano, and it was a full flavoured, rich and nutty blend. We gave Phil a sip and he unhelpfully commented ‘well it just tastes like a Guinness to me’. This was served as directed with cold milk in a clever, ribbed cup that never got hot. 

Phil had a breakfast tea, which he described as ‘great’. 

And in spite of Capheum having a name that sounds rather like the latest recreational party drug, it’s a very sedate place to work or just catch up with your bestie. The music is low in a kind of ‘Buddha Bar 2000’ manner and there is good wifi and plenty of plug sockets. We tested it a second time and stayed a while with a laptop, and the owners were fine with that.

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Our New Neighbour

Eagle eyed and long term readers aware that for several years we’ve taken a keen interest in the developments in an around the newly created Oval Village, which we call ‘UptownKenVo’, and here’s the latest. 

The Applegreen petrol station in Kennington Lane has now gone to that giant, fossil fuel cloud in the sky and is no more. Also sadly departed is our only Greggs, which is now on an adjacent, probably sausage roll shaped cloud.  They are to be replaced by a nine storey, 185 bed block of student accommodation. There will be commercial space on the ground floor.

We took particular interest in the press release stating that there will be a ‘fantastic rooftop garden with amazing views’ as when we were students the best view we had was looking out of a dirty window in a pub that smelled of wet cat hair. But times change…

Ken Artspace

In the midst of the Kennington Cross triangle nestles a quiet gallery that until last week the Runoff had never visited. Ken Artspace is run by artists Agalis and Rob, who live upstairs and decided to create a gallery space on the ground floor when the property beneath them became available. In the 1960’s the space was inhabited by a grocery/pet shop with a sign that read ‘Mixed Marvels’ at the upper level and this inspired the artistic duo to curate a show themed on the sign. 

Ken Artspace’s most recent exhibit is named after the aforementioned sign and features eight established artists, most of whom have had a solo show at  Artspace, working on small canvases. Microbial beings, cellular shapes, and dreamy Swedish landscapes fill the room as well as more figurative mixed media works about travel. A stand out for us was Jeffrey Dennis’s paintings inspired by 1970’s catalogues of home furnishings. We particularly enjoyed the series ‘Boxhead’ by London artist Jane Gifford, below, as it reminds us of the way that most of PR team feel the morning after the Runoff Christmas party at the Tommyfield pub. 

If this exhibit doesn’t tickle your artistic  fancy your artistic collarbone you might want to follow them on the socials as they have an intriguing mix of occasional pop up exhibitions and little events. The creative installations in the window also provide visual relief on a little street punctuated by a dry cleaner, a chippie, and a defunct Chinese joint. And of course, popping in by no means obliges to you buy anything or is even a statement that you’re an art fan.   Happy viewing! 

Mixed Marvels is exhibiting now until 22 December. The gallery is open Thursday to Saturday and like all tasty morsels in life, is totally free. 

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X Mas Tree Shopping?

Instead of seeing us as the best mythical online publishing powerhouse in Britain, recently people seem to be confusing us with a girl at Waterloo station with a ’can I help’ sash. The question at hand is how to get your hands on a Christmas tree, as the lovely Abraham over at Bouquets and Beans in Kennington Cross is not doing them this year. We’re sensing a middle class existential spasm about to happen here, and we’re on hand to help as we love you.

We can confirm that Windmill Flowers currently have a bevy of Christmas trees outside of their shop, and they can be found in Kennington Cross. Also, an oddly named outfit ‘Clickmas Trees’ is back in the churchyard at St. Mark’s church in Oval. Both places also stock Christmas accessories such as wreaths.  If you know of any other places selling trees please put them in the comments section, as frankly we need to move on with our lives. 

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