Author Archives: Kennington Runoff

Orbit Brewery

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As the long weekend beckons we thought we would tell you about our recent visit our very own local microbrewery Orbit, located in a pocket of Walworth in the very precipice of the Greater Kennington catchment area. If you’re  a dedicated KR fan (and if not you’re missing out) you’ll remember that we visited the place last September but rather slammed them on the food front. We wanted to give them a shot at redemption, plus getting us into a brewery isn’t exactly a chore for us. 

Orbit is primarily about beers, and your scribe started with the Belgian pale ale ‘Peel’. It was a very hoppy offering with notes of pepper/clove, and also bits of citrus and lime. I still swear that at the end I got a hit of Colgate Total, but my unfeeling colleagues only laughed and questioned when I last brushed. Unfeeling colleague one started with a limited edition Cuvée de Cologne, served as a 2/3 pint size. It’s their Koln lager but given an extra twist that, for said colleague, gave it a Belgian lambic taste. Delicious. Equally distinctive was the Dead Wax London Porter, had by the other colleague, one of their core pint offerings, rich and dark as a Porter should be with a chocolate caramel character. What they seem to be doing at Orbit is to experiment and make their offerings as diverse as possible. And in case you were wondering, they do serve tadzitki flavoured beer.

On the food front, we were keen to improve on their Challah bap ‘adventure’ of a few months ago and we weren’t disappointed. We indulged in a king size plate of fried pork belly with negroni rhubarb and confit fennel. It was a great and bold mix of punchy flavours with the pork more or less melting even before it hit our tongues. Also looking good was ox cheek lasagne and Cretan bread salad. When your scribe asked where he gets his inspiration he said ‘I just make it up’….Respect! They also have a rather exciting looking Sunday roast which we are keeping our KR eyes attuned to. 

If you live in Walworth you’ve probably seen Orbit beers popping up in places like the retro video game pub Four Quarters and in Littlle Louis, the only bar/restaurant where you can actually buy the furniture. And if you’re still staying safe at home, of if people just don’t like going out with you, as Orbit is a brewery you can buy all the beer you want to take away and mixed up some cases for home consumption. 

Baylen Leonard, Our Local Country Boy

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We recently had a chin wag with long time Kennington resident Baylen Leonard. Baylen is a presenter at the increasingly popular ‘Absolute Country’ and in fact was the first voice on the channel when it launched a few years ago. Described as the ‘oracle of country music’, Baylen just won ‘International Country Broadcaster of the Year’ at the Country Music Awards. 

Baylen hails from Bristol, Tennessee and arrived in London via New York in 2000. He started his career as a voiceover artist,  worked with Sara Cox, had a podcast with Danny Baker, and then landed his first job working at Radio 1 London. He has also presented the massive (and it must be because even we’ve heard of it) Country 2 Country Festival for Radio 2.  He also runs an online country music magazine called Holler. Whew….and to think, here in the office we get exhausted when we ask Sue to order more staples. 

Baylen is passionate about country music, pointing out that Absolute Radio wouldn’t have touched it with a bargepole unless they recognised it was probably the largest growing genre of music in the UK.. Baylen observed that what people appreciate about country is that often songs tell stories, and that people are moving back to ‘honesty and authenticity’ in their musical tastes. When asked how people can tip their toe into home grown country talent, Baylen tipped The Shires and Twinnie.

When interviewing folks we always like to ascertain what Greater Kennington means to them, and Baylen said ‘it is constantly evolving but not over run with chain shops’. When not behind a microphone Baylen can be found at his local The Dog House, The Vauxhall Tavern, or The Eagle. In terms of grub he’s a fan of Oval Farmers Market, Mimi’s Deli, Theos Pizzeria, and Kuma. For sushi it has to be Taro, and for him the best burgers can be found at The White Bear. We fully endorse all of these selections and no money has changed hands.  

As if all of the excitement above isn’t enough for our local boy, he’s even gone and started a country music festival called The Long Road with over 100 acts, and tickets are available now. On the subject of festivals, we at the Runoff are a very modest sort and we don’t like to show off. But since you asked, we did see Dolly at Glastonbury  a few years again and a short video is below *picks up name just dropped on the floor*. 

The Tupi Brunch Experience

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Brunch is something not generally covered on the Runoff, and we recently checked  out ‘Tupi’ in Elephant Park. We had given Tupi a wide berth as from the outside the joint looks quite soulless and we still feel guilty about liking Elephant Park.  But inside it’s a bright affair with a giant and colourful mural of a Tupi Indian and loads of plants. When we entered the establishment they asked if we had a reservation and by the time we completed it was full, so the word is certainly out there. 

It was mobbed by the time we left

Tupi’s styles itself as Brazilian fusion and its dinner menu does contain some staples from Brazil such as Feijoada and Muqueca. However, this was brunch and we tried to refrain from the more traditional brunch fare of eggs and pancakes (of which there many) to try things more exotic.  My guest chose huevos rancheros and this was a variation on the Mexican version, with poached egg instead of fried and sourdough instead of tortilla. It was delicious: a well sized portion of black beans, warm tomato and onion salsa, some guacamole and sour cream topped off with two poached eggs and a slice of toasted sourdough. This felt like a filling and pretty healthy way to start the day.

Your sturdy scribe had that great Brazilian delicacy, a burrito. It consisted of coriander, lime rice, black beans, sour cream, pico  de gallo, sweet corn. It was dominated by cheese and a generous amount of chicken. I would recommend this in addition to other more interesting items such as Turkish eggs or chorizo hash. Given that our little Brunch overlapped with lunch we also say punters tucking into some pretty hefty looking burgers and truffle gnocchi. 

And of course Tupi’s has a bottomless brunch as we’re pretty sure it’s illegal now not to have one. Details below – 

Edward Hollamby, the Architect of Greater Kennington

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A great deal of the built environment around us in Greater Kennington can be linked directly to architect and visionary Edward Hollamby (1921 – 1999). Like many architects of his generation, Hollamby was profoundly influenced by the values of William Morris. Namely, those relating to equitable living conditions and the universal right for people to work and live in places which allow them to flourish. There was no better way to execute these values that by working for local government, and Hollamby worked for both the LCC and Lambeth Council. 

Locally,  Hollamby is known primarily for being the lead architect of the Brandon Estate in Walworth (behind Kennington Park), which we wrote about last summer. His vision for the estate was to build a community which addressed the individual and changing needs of its residents, make shopping easier, while also creating large green spaces to allow people to relax and children to play. And to make the area more aesthetically pleasing he even convinced Lambeth to commission a sculpture by Henry Moore, which is very much still there.

As lead architect in Lambeth Hollamby hired Peter Finch, who designed the Cotton Gardens Estate in Kennington Lane (we are aware that these buildings remain a tad controversial). Hollamby/Finch’s thinking is that they wanted buildings which ‘danced around in different directions’ depending on how one looked at them. It’s often overlooked that at ground level they created green spaces in addition to bungalows and maisonettes for people who didn’t fancy  living in a high rise. A walk around Knight’s Walk around the foot of the buildings is a bit like a stroll in a park. And if the towers look very familiar to others in South London, that’s because they were all made from complex interlocking panels which were massed produced. 

Hollamby was also the brains behind the unusual and rather playful Lambeth Towers in Kennington Road, with the lead architect again being Finch. The building was started in 1964 with the intention of being mixed use, which it is to this day, and the box like design intended to allow each maisonette to be double aspect and have its own balcony. These buildings are classed as being ‘Brutalist’ but that name seems to stick to every 20thCentury building with a bit of exposed brick. Figuring out when a building becomes ‘brutal’ therefore becomes rather like an architectural game of Wordle. You may or may not find these estates to be beautiful, but Hollamby always made the needs and wishes of the residents paramount.

Fridas

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Unless you live in one of those new zillion pound high rises in that sketchy stretch of Albert Embankment (and if you do, well, congratulations) you probably haven’t noticed that we have a spanking new (well, only) Mexican food joint in our midst! The restaurant is called Frida’s, and is on the ground floor of one of those ghastlycharming towers. 

My colleague Laverne and your scribe dropped to Fridas the other day and what first strikes you is that it has fully embraced the ‘maximalist’ design trend of the moment. The flowery wallpaper, Frida Khalo banners, plants, Christmas lights are all charmingly bonkers and strangely comforting. Your scribe had the Cochinita porl pibil tacos, which featured a mound of tangy pulled pork topped with sour cream, pickled onions, and slaw. Your scribe had soft tacos but you can also have hard (corn). And like with all proper Mexican dishes, cheese does not feature prominently here. What does feature is Valentina sauce, which is on every table in Mexico.

Laverne had the chicken quesadillas, which did indeed have sprinklings of Mexican cheese but she found them to be a bit bland, so the Valentina sauce had to be deployed liberally. What totally hit the spot was their refried pinto beans. Packed with spring onion and chorizo, they were the great combination of chorizo smokiness and hearty smashed beans and some dense herbs. We would recommend this as a side, even if it looks a bit unpleasant. Frida’s  also has a massive bar so you just drop in for a margarita if you wish. The staff are all very friendly and are actually Mexican! Tick! 

Places like Frida’s need our support to stay afloat so do pop over and say hello. And given that most of the residents of those high rises probably have had their assets frozen, it means that they won’t be able to support the place themselves. 

    Keith Cunningham at Newport St. Gallery

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    The latest offering over at the Newport Street Gallery is the work of little known and exceptionally gifted artist Keith Cunningham, who mysteriously gave up painting just a few years after he started. Cunningham was on the periphery of the London Group of artists who among their number included Frank Auerbach and Leon Kosoff and the Group were intrigued by Cunningham’s powerful, if not at times gruesome and sinister, subject matter. 

    At least there’s no queue for the toilet

    Cunningham was certainly a man with something to say, but not very interested who heard him, as many of these 70 works accumulated in his studio as opposed to being seen. He used a very dark and tightly controlled palette of colours with think coats of impasto, giving the works that are not under glass a 3D element, with the added drama of huge brushstrokes. In this manner he captures commuters, rabbits, and even squid. 

    At the moment there is an epic retrospective of Francis Bacon’s work at the Royal Academy (north of the river if you dare) and in way Cunningham’s depictions of blood crazed dogs, skulls, and angst is an interesting counterpoint to the great man’s work. It’s possibly not a coincidence that they’re being staged at the same time. 

    As you move through the well organised exhibit Cunningham’s  work begins to tilt more towards abstraction and huge blocks of colour. The painting below is a still life. However, it rather reminded us of Phil from the accounts team when he fell over outside the Tommyfield pub after downing eight pints of cider at our Christmas party. 

    ‘Keith Cunningham, the Cloud of Witness’ is on now until 21 August at Newport Street Gallery and is totally free. 

    The Electric Elephant in the Room

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    We recently made a long overdue visit to the very quirky and oft overlooked ‘Electric Café’ in Walworth. For those who have never been or only peeked through their eclectic windows, you might confuse it with a charity shop. Or it could remind you of your great aunt Edna’s loft just after she made her way to heaven. Either way, it’s a great spot to meet up with friends or to work for a few hours.  

    Electric café is run by friendly and chatty owner Louisa, who on a daily basis serves homemade, meat free sandwiches, soups and pastries. On the board during our visit was falafel and hummus toasties, goats cheese salad, luscious looking brownies, and meat free pasties. Louisa also makes her own jellies, marmalades and chutneys, which are for sale on the counter. As if Louisa doesn’t have enough on her plate, she also does catering and the place can be hired out in the evening. Electric also has a rooted social conscience, and during our visit signs were being put up designating it as  a safe space for people escaping domestic trouble. 

    Electric café is in the very interesting artists commune of Pullens Yard, (below) and well worth gander or a nosey peek around there in the daytime. So if you ever wake up thinking that what’s really missing in your life is a café with a glitter ball, repurposed cocktail bar and an old sewing machine, then look no further. And if your trip requires WiFi, then the router can be found teetering atop a stack of used books on the right, which are for sale. Have fun! 

    Expiring at Gasworks

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    If you follow art historical debates as fervently as our snooty ‘Culture’ department here at the Runoff does, then you’ll be aware that there are big debates afoot about the repatriation of objects that have been, lets say, ‘liberated’ from other cultures. Examples are the Elgin Marbles and Benin sculptures at the British Museum. The current exhibit at the Gasworks Gallery in Vauxhall takes a different approach to this question by asking museums to assess their relationship with life and death….Stick with us…..

    The show is called ‘out of an instance of expiration comes a perennial showing’ and is by LA based artist Gala Porras-Kim. In addition to raising questions about the use of capital letters, the artist raises questions about the conservation of human remains and if sacred objects meant for the afterlife are devoid of meaning if extracted from a tomb and put on display, and to get her point across there’s even a giant sarcophagus in the main room. Next to the works are letters to museums asking about their curatorial practice and in one curious note she asks a curator if a mummy had been consulted before he was put on display.

    As you walk through the works in the small space, the content of what is being asked becomes more apparent. How do we understand and respect items associated with death and how do institutions respect and deal with items in their collections which are still living (eg in an afterlife)? And if you prefer your art exhibits to involve mould spores and the contents of vacuum cleaner bags then this exhibit doesn’t disappoint. I mean this is Gasworks, after all. 

    As you know, we love free stuff and on Tuesday, 8 March at 7pm Gasworks will have a free talk about Pharaonic music and how the ancient Egyptians made instruments.  Admittedly when we first saw this we thought it said Pharrell, but at least there’s still music involved. 

    Out of an instance of expiration comes a perennial showing is on now until 27 March and, like all good stuff, free. Look at website for opening hours. 

    Vito Project at the Cinema Museum

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    Under the guise of ‘better late than never’ on this, the last day of LGBTQI+ history month, were here to tell you about some interesting films coming up at our very much loved and very much at risk Cinema Museum in Kennington. And by ‘at risk’ we mean ‘we better start going soon or it’s gonna be a Taco Bell’. 

    The Vito Project is an LGBTQ+ Film Club which has a series of Spring screenings exploring queer representation in classic Hollywood flicks. The first of these is the Hitchcock Film ‘Rebecca’ with Laurence Olivier. There’s a conversation afterwards and it allows film buffs and their admirers a chance to discuss the coded queer meaning in the film and other films of the era. And there’s a bar in the cinema. It’s on 20 March and tickets can be purchased here. On 1 May the next Vito film will be ‘Tea and Sympathy’ directed my Vincente Minnelli (tickets here) followed by ‘Compulsion’ with Orson Wells on 31 May (tickets here). This will also involve a bar and lively chit chat afterwards.

    A couple of Runoff fans went to Vito a dew years ago and confirmed that it’s very thought provoking for anyone interested in film.  The Cinema museum is a wonderful Aladdin’s cave of film and film related ephemera and your ticket allows you to pass through some of the corridors that are usually open only by appointment. And the auditorium is a fun mess of mismatched chairs and sofas. And did we mention the bar? 

    Some of the screenings are a bit far from now but this is gives you the perfect opportunity to buy that lovely pocket diary we’re always bullying you into getting. Here’s one in sparkly gold