Disco Inferno at Gasworks Gallery

We embrace all of the shows at quirky local arts hotspot Gasworks Gallery in Oval. We’ve been with them for every installation, from a giant coffin made of Styrofoam to a talking doll on a stool. The current show is called ‘Disco Inferno’ by Mexican artist Paloma Contreras Lomas.

The primary room of the gallery is filled with three large wall hangings giving us a distinctly Mexican vision of hell. Pre-Hispanic goddesses appear alongside cackling witches, bunnies frolic in nun’s habits, and little elves devour flesh. Sleaze, corruption, and graft are the themes here, so a dismembered Jared Kushner appropriately makes an appearance. Terracotta sculptures complement the hangings.  In a sense it’s as if Lomas is taking control of the horror in Mexico’s past by teasing it.

The second room is just as dystopic and features a giant plush toy as a decapitated person, which the press release describes as ‘At once horrifying and huggable’. We found this description eminently relatable as it describes most of our romantic encounters. There is also a compelling video of Lomas narrating three stories told to a close friend with the same name (ie, her). This builds on the folklore, mythmaking, and goblins in the rest of the exhibition. If at this point you’re thinking ‘what the hell is this about’ we’ll give you a short cut. It’s a metaphor for the Mexican governments’ military crackdown of drug cartels in  the mid 2000’s tinged with the hazards associated with crossing the Rio Grande (here illustrated by a swampy river). See, now aren’t we the clever one?

Gasworks, we do like to have fun at the expense of your exhibitions, but we applaud how you champion female and non European artists, and you’ve done both here. Paloma Contreras Lomas: Disco Inferno is on now until 13.12 and like everything wonderful in life (like your favourite blog) is totally free. Check for opening hours as they vary. And if you require a talking doll if you’ll need to bring your own.

The Luminaries of West Square

Located in a petite pocket in the northeast corner of Greater Kennington we find ourselves in the charming West Square. This almost totally intact Georgian square was imagined at the end of the 18th century by developers keen to capitalise on the trend of middle class people escaping the grime and crime of places such as Bloomsbury and Fitzrovia. And while the original occupants might have been escaping the Big Smoke, the smoke quickly enveloped them and three addresses span this crucial transition.

#14

At 14 lived Irish artist Robert Barker and family. Barker heralded the late Georgian/Victorian craze for panoramic paintings and created a rotating panorama in a custom made rotunda in Leicester Sq.  This pre-cinematic, virtual reality pleasure palace gave folks the feeling that they were on a train or steamboat as the painting moved. These circular paintings depicted places such as Egypt or Oxford St. and were sometimes a mile long. So next time your best mate coerces you into going to ‘Immersive Van Gogh’ for the fifth time you have this dude’s former gaff to shake your fist at.

#39

As factories began swimming around our tranquil Square the middle class picked up sticks further south and in moved the working class, the most famous being Charlie Chaplin (we know you’re thinking  -‘what he lived HERE TOO’). The Chaplins lived in three rooms in the house and Charlie’s earliest memory in was of hearing  noises from the exercise area of Bethlem Lunatic Asylum, which gave us the word ‘Bedlam’ and is now the Imperial War Museum. We’ve written about life there as it reminded of current work conditions at Observer Towers. The transient nature of the Chaplin family serve as a testament to how underclass families frequently moved as they gained and lost incomes, their residence in the Square being a financial high point.

#36

Known as ‘Telegraph House’, our third home of interest relates to national security. The additional height of this home made it visible from the OId Admiralty building in Whitehall. It was therefore the perfect location to pioneer optical telegraph experiments. It acted as a relay station and could relay information from the Chatham and Deal coasts during the Napoleonic wars (1803-1815) to the Admiralty in less than thirty minutes.

As with many other edifices we’ve been writing about recently, Telegraph House was quickly the victim of Greater London urbanisation and the view to Whitehall was no more. The Admiralty addressed this by erecting what looks like a massive treehouse on top of the building; a kind of residential bouffant. By 1845 our house with its big hair was made redundant and with the invention of the telegraph the building returned to sole domestic use and the bouffant was shaved off. It was the home of Superintendents of the telegraphs until the 20th century.

Telegraph house just sold for £3.4 million, so you’ve missed your chance. However, you can always pop over with a packet of cheesie Wotsits and can of Vimto to welcome them.

Miguel Sobreira @ The Camera Club

We recently popped over to the significant yet little known Camera Club to attend the private view of their new exhibit ‘Masks of Becoming’. Frequent readers are aware that when we see words ‘private’ and ‘view’ that usually means free food and wine so we can’t resist the temptation to crash the proceedings without actually being invited.  

Miguel Sobreira is a Portuguese/South African artist and this body of work consists primary of African themed masks and photos of him in various guises wearing the masks. Patterned prints are extremely integral to the identity of people from Sub-Saharan Africa and Sobreira uses his background in textiles to reimagine these to align with his own identity and message.

Masks and veils are used as signals to indicate what might be going on behind them. In our office they usually indicate that the person behind said mask had four hours of sleep over the weekend and is now paying the cost. Sobreira is the subject of much of his work, and his mask conceals identity, belonging, ancestry and queerness. Or perhaps feeling that none of these can be fully revealed. Much of what he works with is reused materials such as cardboard, reused materials also having their own unique backstories.  

The Camera Club is one of the only clubs of its kind in the world, but you’re already aware of this as you lap up our helpings of literary laurels on a regular basis and you read our review last year. Miguel Sobreira: Masks of Becoming is on now until 23.10 and is totally free. Open daily from 11:00 to 21:00, weekends until 18:00. And, no, we have no idea why its open 75 hours a week.

Lambeth Fringe 2026

Did you know that Lambeth has its very own Fringe Festival? It’s similar to the Edinburgh Fringe but you the shows are a lot cheaper and you don’t have to fork out £400 for a night at the Travelodge. Local venues include Vauxhall City Farm, White Bear Theatre and House of Neon. We frankly have no idea what House of Neon is, but well done for helping out.  Frequent readers are aware that we make recommendations to travel outside Greater Kennington very rarely and do so with a profound amount of caveats. However, there are interesting sounding shows all around Lambeth.

This year the Fringe is featuring over 200 shows (!) over 26 venues covering standup, dramas, cabaret, and dance to name a few. Some of these works have just come from an Edinburgh run, some are touring small Fringes, while others will be ‘Fringe exclusives’ and never again see the light of day. The programmer boldly states that plays are booked ‘that ask questions’. We noticed the tagline for one play asked  ‘Has the Virgin Mary ever visited you as a lamp’? Is this one such question?

We’ve been to a number of these shows and the standard is high and the venues are small. Many of the plays are topical while others serve as a refuge from the unforgiving outside world. Of course you might walk out thinking ‘what the hell was THAT’, but that’s half the fun. We have our eye on the play ‘Chair Woman’ with the following tantalising synopsis – “Patsy Darning has tried to leave the intense world of upholstery pageantry behind her. But when she gets pulled back in for one last job (padding out a chair on the new Presidential spacecraft), she finds herself caught in a cover-up that goes all the way to the bottom… “

Lambeth Fringe runs from 24.9 to 25.10 and prices vary. Most of the productions run for 60 minutes.

Hard Streets: Free Local History Book Chat at Durning Library

Are you busy on Monday evening? Of course you aren’t and will probably just be watching Strictly on Iplayer while brushing your cat. But fear not, dear reader, we are suggesting a brain cell building evening that is both free and riddled with local history.

On Monday (21 January) at 7pm at Durning Library local author Jacqueline Riding will be talking about her new book “Hard Streets: Working Class Lives in Charlie Chaplin’s London”. Focusing on the lives of Chaplin and sculptor George Tinworth (there’s a street named after him)  Riding gives us a vivid and moving exploration of working class people in late Victorian/early Edwardian Greater Kennington. This includes people both transient and well long term locals including music hall stars (many of them lived here), labourers, sex workers, and vagrants.

Greater Kennington was not a bougie home to middle class people in the Victorian era. As factories and all things smelly filled the marshlands we now call home, it was a refuge for people who didn’t have many choices in life. This backdrop of hardship gave us the Lambeth Workhouse which we have written about extensively, and massive Georgian homes in Kennington Road occupied by as many as 30 people (including the Chaplins).  At the core of this book is the optimism that informed much of Chaplins work, and illustrates greatly how creativity can offer a path out of hardship.

While this event is free, we strongly encourage you to donate a few quid to the Friends of Kennington Library who are hosting this event. Your donation is both useful and allows you to have a free glass of wine without guilt. And to steal a second one before the talk.

If you’re too busy brushing your cat on Monday you can hear Riding in conversation with an annoying American here. And if you never trust our advice you can read a review by no less than the FT!

Tarns

Through the years we’ve written a great deal about the way in which Greater Kennington evolves and develops, but rarely about how it revolves and becomes something similar to what it was before. Thus is the case with Elephant and Castle, which was once a hub for swishy shopping, dining and entertainment for the bourgeoisie and is on the precipice of revolving into that guise yet again.

In previous generations destination hubs were anchored by a department store and some of these still exist, such as Morleys in Brixton. In Elephant it was the mighty Tarns, whose massive footprint roughly matched that of the impending shopping centre. Tarns was a remarkable business empire which employed hundreds, and perhaps the very person who lived in your current digs. Local folk and people throughout London flocked to Tarns for departments which varied from  baby linen to haberdashery and parasols to teas. We were particularly intrigued by the ‘mourning wear’ department, and have delicious images of a person rocking up in floods of tears saying “I am DEVASTED that auntie Flo has passed but I was looking for a black strapless anyway so now seems as good a time as any”.

Tarns was a staple of Greater Kennington for decades and the department store craze revolutionized the way people, most notably women, shopped. No longer did people have to dodge puddles only to end up having to haggle for the price of an apple, and you could just browse. Sadly, during the Blitz the Elephant was almost completely obliterated and our mighty Tarns then went to that giant Milliner in the sky. So when you’re juggling that shiny apple in the new M&S in the shopping centre spare a thought for those apple buyers that came before.

Open House London 2026

It’s that time of year again and one of our favourite activities here at the Observer….sticking our noses where they don’t belong! From 12 September to 20 September ii’s the Open House London Festival, celebrating London’s housing, architecture and neighbourhoods by flinging open doors and streets not usually open to the public. We have a few suggestions for you and they are all FREE, and we love free. 

Most Open House venues have friendly staff on hand to tell you more about what you’re seeing and there are often things to read. If you look on the website you’ll see some local bookable things, but we’re afraid you’ve mostly missed the boat on those babies. The localish venues listed below are open to the public on specific dates, so look at opening times. However, if you possess the audacious gaul to travel out of Greater Kennington you might find there are hundreds more free things to stick your head into around the capital. But we couldn’t possibly encourage that kind of behaviour.

London Fire Brigade Memorial Hall. Perhaps your last chance to see it before it is turned into, you guessed it, flats and a luxury hotel…but we said that last year.

https://programme.openhouse.org.uk/listings/11781

International Maritime Organisation (that bizarre looking building on Albert Embankment. pictured below). This was our favourite in 2025.

https://programme.openhouse.org.uk/listings/7730

Tannery Arts: Winchester Arts Studios

https://programme.openhouse.org.uk/listings/13174

St. Paul’s Newington. Most postwar churches are mediocre at best. This is a real beauty.

https://programme.openhouse.org.uk/listings/2556

Van Gogh House London (Been and recommend. Its more about restoration than the great man so don’t expect any paintings or a severed ear).

https://programme.openhouse.org.uk/listings/8317

Segmental House – Amazing 2024 addition to a listed Georgian home

https://programme.openhouse.org.uk/listings/12824

City & Guilds MA Show 2026

The time has arrived yet again in the Greater Kennington cultural season (yes, it’s a thing) for the free and massive MA show over at City and Guilds in Kennington Park Road and of course we’ve just checked it out for you. And because we love free stuff.

What we appreciate about the MA show is that it’s not just about painting, for example sometimes it’s just a side table with packets of fags on it. But other areas show the work of conservationists, restorers, wood carving and sculpture. All set within those beautiful Georgian buildings in Kennington Park Road. A theme this year appears to the influence of Tracey Emin’s new drip paintings. Other themes appear to involve branches and lots of rocks stuck to walls

As you meander through the galleries you can read bios of the artists and gain insight into their process, theory, outlook, and motivation. There is something here for everyone and some of the work is quite stunning. A lot of the artists are on hand to walk you through what you’re looking at. In other words, don’t be an armchair critic as the artist is probably behind you, but there to answer all of your questions.  And if you haven’t a clue what you’re looking at just maintain a steely gaze, purse your lips, and proclaim ‘that mound of sticks is about IDENTITY’! Works every time. Opening times at bottom

PUBLIC OPENING HOURS

Tuesday 8 September | 11:00-18:00

Wednesday 9 September | 11:00-18:00

Thursday 10 September | 11:00-18:00

Friday 11 September | 11:00-20:00

Saturday 12 September | 10:00-17:00

Bury the Hatchet @ Southwark Playhouse

We all love a lazy bank holiday but let’s be hones at times it can become a bit, well, tedious. If you fall into this camp and enjoy bluegrass music, history, and tales of people being bludgeoned with an axe (and really, who doesn’t) then we have JUST the activity for you! 

We just toddled along to the Borough/Elephant outpost of Southwark Playhouse to see the play/musical ‘Bury the Hatchet’. The play is about Lizzie Borden, a Massachusetts woman who in 1892 murdered her parents (or did she?) with an axe. The house was locked and she was inside, but would a lady possess the strength and disposition to perpetrate such a heinous crime?

The chain of events is presented to us as a macabre comedy by an absurdly talented trio of actors who take on multiple roles and adopt a range of accents while singing, playing instruments, and reciting events of the bloody occurrence. There are definite elements of physical theatre as the actors writhe on the floor and dance wildly.  And at times breaking down the fourth wall to address the audience directly. 

It’s hard to classify this engaging and terrific 90 minute show as having a particular genre, which is perhaps what makes it so fascinating. Part musical, part concert, part play, Bury the Hatchet asks questions which are still relevant today, such as how the media can impact opinion, and how wealthy and articulate white people can get away with…murder. And what other play can be set in the 19th century whilst name checking the Daily Mail and Jet2holidays? 

Bury the Hatchet is on now until 5 September and tickets can be nabbed here. As of lunchtime 28.8 tickets were available for all performances over our lazy, languid Greater Kennington weekend. 

RVT Sports Day in Spring Gardens

Our sports reporter Mark has been collecting a great deal of dust so we’ve finally given him an assignment. He wholly recommends the very fun, charity raising, and inclusive Royal Vauxhall Tavern Sports Day at the back of Spring Gardens on Monday 31 August from 1pm. Because we’re all about charity.

For the uninitiated, Sports Day is our own little Notting Hill carnival, with soca and steel drums substituted with handbag throwing, tug of war and drag queens.  The event is composed  of approximately 10 teams, usually dressed up and with great names. As you can imagine, there is a definite comedy element to the proceedings but is MC’ed by some professional sports reporters who corral events into a semblance of actual competition. The various tasks (egg and spoon, the 50 metre mince, drag race relay, etc) are constructed in a knockout format with the winning team being crowned at about 5pm. All proceeds go to charity LGBT Hero, which promotes health in the lesbian. trans and gay communities.

This event is free but bring some cash or a tappable phone as there will be charity buckets and volunteers about, and there is also a raffle.  The day is certainly not limited to a specific demographic and there are a number of families there with kids, older folks, and an overall sense of mirth abounds. There are bars, music and mirth being consumed. We would never presume to tell you how to live your life, but for maximum enjoyment we might suggest a picnic consisting of ultraprocessed food scored from the corner shop. The website indicates a kickoff at 1, but is usually about 1:30.

Why there aren’t more events like this is a mystery to us, like the continued existence of phone boxes or announcements on the tube banning E-unicycles. And whats an E-unicycle?