Category Archives: Art

War Games at IWM

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We usually like to review the new exhibits at the Imperial War Museum, but had some understandable reluctance to check out their newest show. As it’s about war related video games as we didn’t think it exactly fit, lets just say, the sensitive demographic that we cater to. However, we found it fascinating and it dispelled, among other things, the dated myth that online gaming is a domain for spotty teenage boys. 

War Games: Real Conflicts, Virtual Worlds, Extreme Entertainment is a show displayed in 10 parts, or levels, starting with the psychology of why people  have a long history of gravitating to games involving tactic and strategy. We are then shown a live action game, Wolfenstein 3D (1992) next to Sniper Elite 5 (2022) to see how profoundly gaming has changed over the years. This is where we encounter two enormous screens showing war games and developers telling us in laymen’s terms (it has to be very laymen for us) how they are based on real environments, and they show us how users can play for a few minutes or plan a campaign that takes years to complete. The mind boggles.  

The largest room touches on some of the inevitable ethical complexities involved in developing products based on crushing people’s heads and then running them over. Apparently one of the largest growth areas are games which involve saving people affected by war, which is a relief. And increasingly developers are creating figures which can be succinctly personalised to give gamers a feeling that they have agency with that figure. Video games often reflect the anxieties we face at the time they were created and can be seen as mirrors of the age. For example, imagine a videogame fronted by a resurrected Liz Truss with Covid, running around cutting off everyone’s heating. 

The most enjoyable element of this exhibit can be found on Level 10 (this room is only open until the end of January) which has dozens of retro video consoles from 1980 up until the current day which you can play for free. We saw Sega, Atari, Commodore 24, X Box, Nintendo 64 and others. We won’t tell you which era we played as you’ll then be one step closer to knowing who we are. But suffice it to say that War Games is a sophisticated spread of immersive installations about a culture that many of us know little about. 

For those of you who’ve given IWM a wide berth over the years for moral reasons, we understand your reluctance. However, it is not a temple of jingoistic celebration, and if anything it is dedicated to the human spirit and survival. Galleries dedicated to the Holocaust and women on the home front are very poignant and reminders of the profound impact that conflict has on the innocent.

War Games: Real Conflict, Virtual Worlds, Extreme Entertainment is on now until 28 May and is totally free. 


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The Currency in Newport St.

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When Time Out, or as we like to call it, ‘that listings site from a bygone era’ described the new show at Newport Street Gallery as ‘stupid, lazy, arrogant, crap art’ we knew we had to get over there as soon as possible.  This very controversial show is called ‘The Currency’ by Damien Hirst and features 10,000 of his dot paintings in several eras of existence. These range from physical paintings to photocopies and then cinder, as the artworks are torched on the first floor. 

For people not aware of Mr. Hirst’s oeuvre, he has spent a large amount of his career preserving dead animals in formaldehyde, sticking diamonds of skulls, and exterminating flies. We reviewed a previous show at Newport in October, 2020.  An abiding theme of Hirst is the repetitive nature of objects and their cycle from inception, to life, to being fetishized and worshiped, and eventual meaningless demise. 

Hirst’s interest in the repetitive nature of dots is well established, and last year he gave 10,000 people the option to buy an NFT .jpg dot painting for £2000. The NFT could then be traded for an original 8×10 work. About half the punters traded it for an original and the remaining suckers  folks stuck with the NFT option. It is these physical works which are on display in monumental floor to ceiling displays and ultimately dispatched into ashen bits above Vauxhall.  

The exhibit is peppered with TV screens featuring live footage of the works being prepped and torched. When the fires aren’t on, there are clips of Mr. Hirst in conversation with actually responsible people such as former Bank of England boss Mark Carney and Stephen Fry, with topics ranging from the absurdity of the art market to the meaningless value of money. Try telling that to the single mum who can’t heat her home at the moment. But we digress. 

Damien Hirst: The Currency is on now until 30 October and is free. Even if you find the theme distasteful, the exhibition itself is quite thought provoking as the paintings/photocopies begin to incrementally disappear. There is also a great gift shop. The fact that over the past 12 months the NFT market has crashed is just a side giggle. However, we at the Runoff would never capitalise of personal loss as that would make us no better than a Florist. 

The Tale of Two Fountains

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Next time you go for your constitutional in Kennington Park, take a moment to inspect two unloved fountains which you’ve probably walked past a thousand times but never taken notice of. Their creation and endurance are interesting reminders of the people and events that have unfolded in our hallowed patch over the years. 

In the southwest corner of the park you can find part of a fountain which was donated by philanthropist Felix Slade in 1861. This is the same Slade who founded the school of art and a number of professorships. Slade lived in Aulton Place, and the story goes that while walking through the park he asked for a glass of water and was handed dirty water in a chipped glass (with Aulton Place only over the road he could have just popped back home but let’s not get stuck on tiny details). When he saw kids playing in the park without access to clean water, Slade to took to the task like a duck to, well, water.  

Slade’s solution for the lack of clean water was laudable but perhaps a bit over the top for a working class Victorian neighbourhood. He funded the erection of an elaborate fountain on a plinth in red Aberdeen granite with brass handles, a large bronze urn, and his own monogram stamped over it, lest people forget who put it there. The handles were nicked shortly thereafter, followed by the urn. When the urn was replaced it was nicked again and then went from being a fountain to a curious oddity and relic of the past.  The ornate base remains and is a reminder of the gulf of understanding and wealth that exists in Greater Kennington to this day.

A bit further up into the park you can see the column which is the remains of Tinworth Fountain. It was created in 1872 in buff terracotta by the Doulton Factory in Vauxhall and was the centrepiece of an ornate sunken garden located where the basketball courts currently reside. It was almost totally destroyed in WWII and put back together without its resplendent and overflowing bowl, which moved and then lost. After being relocated several times it found its current home while still sporting its grand central feature, a sculpture depicting the pilgrimage of life. Sadly the sculpture was knocked over and completely destroyed in 1981. The column that we see today was later used as target practice by local youths. 

Our beaten and bombed column still stands and if you look closely you can see the painstaking efforts made to both restore and destroy it. Some very clever soul even decided to replace some of the unglazed buff terracotta  poured concrete. Nevertheless, Kennington Park has meant many things to many people over the years, and our battered little monuments stand as eternal reminders of that.

Queer Art(ists) Now at Space Station 65

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We recently attended the intriguing exhibit ‘Queer Art(ists) Now’ at Space Station Sixty Five in Kennington Cross. Now if you’re thinking ‘but I’ve never heard of this place’ then you can be forgiven. It’s a very underused artist run space and gallery in the car park (don’t we take you to the most glam places) of Kennington Film Studios. Which we all know as the legendary studio where ‘Richard and Judy’ was once filmed. 

Queer Art(ists) Now brings together 70 artists out of 300 applications and 1000 pieces of art and showcases the best in Queer art at the moment. They have also commissioned five artists to create bespoke works for the exhibit. The works are remarkable for their diversity and cover a range of mediums including oils, photography, film, textiles, papier mache, traffic cones, and discarded items. 

At times, exhibits like this can devolve into preachy diatribes about oppression, or become overtly political and worthy, which leaves people a bit deflated or alienates those who don’t come from that community.  This exhibit is curated in such a manner that it has a certain levity and playfulness about it, and makes you question your assumptions. There are works about the trans experience, body image, gender politics, sex, and the intersection between ‘straight and gay’ and what that means. The variety means you’ll likely come across something pleasing regardless of your tastes or sexuality.  On our visit we were greeted by a young man dancing in a dressing gown and they were giving away free permanent tattoos.

Queer Art(ists) Now is totally free and open Wednesday to Saturday 12 – 8 Until 8 October. They also have a variety of merch on sale to peruse. And why this great exhibition space isn’t used more regularly is one of life’s great mysteries. Like why you never see any baby pigeons or the sudden craze for Greggs branded clothing. 

City & Guilds Free MA Show

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Under the flimsy guise of being actual journalists, we just attended the private view of the huge MA degree show over at City and Guilds in Kennington Park Road. This year does not feature the usual staples of woodcarving and conservation, with a larger emphasis on painting and sculpture. However, it extends over to the old telephone exchange in Kennings Way. 

The themes this year seem to run the gamut to contemplations over solitude, to Japanese anime, to broken pottery.   The MA show is totally free and open this week (Tues-Thu) from 11:00 to 17:00. It’s open until 20:00 on Friday with the tantalising caveat ‘bar from 18:00’.  It closes on Saturday, 10 September at 17:00. 

Beaconsfield Gallery

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We have an intriguing exhibit and sauna (?) to tell you about at the ever avant garde Beaconsfield Gallery in Newport St. The exhibit is ‘Monica Soo – The time is NOW and it is overdue!’. Soo was a feminist Swedish painter who explored subjects which are now researched and discussed but were at the time still mostly not part of the common vernacular. Namely, anguish about the environment, systemic violence against women, and non binary ways of living. This is told through the vehicle of the celebration of the Goddess culture. This isn’t the most uplifting giggle of an exhibit, but it is thought provoking and in a way is even immersive, as the paintings and drawings snake up the wall. 

Sticking with all things Scandi, also being exhibited is ‘The Finnish Sauna’, created by architect Sami Rintala in collaboration with architecture students from the University of Westminster. We had a chin wag with gallery staff about just how in the world a mobile sauna ended up in their car park, and they explained that it has been transferred from the London Festival of Architecture, who they have collaborated with for years. Inside you’ll find all of the usual accoutrement associated with a sauna, such as coals and a giant ladle to pour water over your head. Also in the car park is a watchtower associated with the Soo exhibit. We’re not sure what it was for, but it afforded sweeping views towards Pimlico Plumbers. 

Monica Soo – The time is NOW is open until 10 September and the Sauna until October, and private bookings for the sauna can be found here. When a show is on (which isn’t very often) Beaconsfield Gallery is open Wednesday – Saturday from 12-5 and is totally free. However, getting inside the sauna costs £20 and Runoff bosses refused to sign off on it. Perhaps we approached the topic wrong when we said ‘please give us 20 quid to visit a sauna in Vauxhall’. We’ll try to be more subtle in future. 

Deadname @ Gasworks Gallery

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If you visit us regularly here on the Runoff you’re aware that when a new show arrives at Gasworks Gallery in Vauxhall we like to check it out for you. If you’ve never been to Gasworks it’s located at the Oval end of Vauxhall St. and is perfect if what you demand from a gallery involves Styrofoam coffins or dolls that talk to you. 

The new exhibition at Gasworks is called ‘Earth is a Deadname’ by Rotterdam based artist Lou Lou Sainsbury. This show was commissioned by Gasworks and is an exploration of transgender life outside the limiting language of medicalisation. The exhibition revolves around a performance film which touches on aspects of intimacy, feelings of difference, chance encounters, and evolution. A giant cymbal also features on screen and over your head but were going to leave that interpretation up to you. There is also a bedroom cabinet in the room with a range of items telling us that the trans experience is a collective one of unmaking and making the body. 

The larger gallery is dominated by a large scale glass installation with fluctuating levels of transparency, again alluding to the trans journey. As the journey is rarely straightforward, imbedded in the glass are trapped cigarette butts, dried flowers and other debris. The exhibition is punctuated by flesh like texts on the walls which swell like scars or stigmata. All very thought provoking for a little gallery in Vauxhall, and time well spent. 

Earth is a Deadname is on now until 18 September and is totally free. Gasworks is only open in the second half of the week so have a look at their website. The amber resin on the floor is part of the exhibit, so in your leaving comments please don’t write ‘Sainsbury, clean up in aisle one’!!!!!  (we couldn’t help ourselves). 

Queens Jubilee at IWM

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The Queens Platinum Jubilee is getting nearer, and if your state of mind is along the lines of ‘well this is all very exciting but I can’t be bothered to leave Greater Kennington’ then we have something you might enjoy. The Imperial War Museum has just opened a compelling exhibit of the Queen in wartime and it is set out over three sections. 

The first gallery is a selection of 18 large format photographs outlining the Queen’s journey through conflict, from growing up in WW2 and more modern conflicts, to sticking decorative pins on people. The Royals in Wartime section is more of a dedicated route around the IWM exploring the Royal Family’s long connection to the armed services and the key role they’ve played in terms or morale and logistics over the years. The Royal Family in Wartime is the third exhibit and it features 53 photos outlining out the Royals commitment to the armed services over the decades, from directly serving in the army, to Elizabeth serving in the Auxiliary Territorial Service (ATS) in spite of being told not to. Well done..

The exhibit has mostly been pulled together from the millions of items the IWN have in storage, and this is what they always do very well. This vast resource enables curators to carefully select items that even predate the Queen (if that’s even possible). 

‘The Queens Platinum Jubilee at IWM London’ is open from today until 9 June. Entry is free but nabbing a timed ticket is recommended. However, if you’ve forgotten to book, or you’re just lazy, turning up is usually fine as they haven’t checked our tickets recently. 

Foundation Show Frolics

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Hot off the heals from Craft Week,  City and Guilds of London Art School is at it again and having it’s annual show and we’ve had an inspection. The artists are completing their foundation year, so the work is less advanced than the much grander Degree Show (we’ll get on to that in a tic). The students are studying a more proscribed range of styles than their more advanced counterparts but are much more experimental (read, slightly mad but very interesting). The themes this year seem to be 1. Saving the planet 2. Handbags   3. Saving the planet through handbags 4. Rocks. If you want to impress your friends bring them along and when they invariably  ask ‘well, what DOES it mean’, try rolling your eyes and saying ‘its about IDENTITY’. If that doesn’t work try ‘can’t you see, it’s about UKRAINE’. 

The Foundation show is on tomorrow (Friday the 20th) from 10 – 5 and Saturday 10 – 5. It’s  in the old telephone building in Kennings Way

On 29 June to 3 July is the mighty (we’re talking huge) Degree Show in the main buildings of the college. It showcases a range of up and coming artists arranged in small rooms, so you can see a selection of their works. What we find most interesting is that you can see the work of historic wood and stone carvers in the back garden area. Also of interest is the areas dealing with conservation and restoration on the upper floors. And if you don’t care for something keep your trap shut as chances are the artist is behind you!

Getting Crafty @ City&Guilds

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Another high point on the Greater Kennington cultural calendar takes place this weekend and we’re here to tell you about it. City and Guilds in Kennington Park Road are taking part in London Craft week on Friday and Saturday and it looks as if they are hosting a number of free (and we love free) events and demonstrations. 

Various studios around C&GLAS will be open exhibiting a range of crafts and showing how stuff is made. In the paper studio students and tutors will be on hand to show paper related demonstrations and discuss paper conservation. In the printmaking studio, the head of printmaking will be hosting several (sadly now booked) workshops but others will be on hand giving demonstrations of different kinds of printing such as intaglio. We’ve been in this studio, and it is a fascinating space. Outside, students will be giving demonstrations of wood and stone carving and you can even have a go at carving yourself! Apparently there is a carving competition among students as well. This sounds frighteningly dangerous, but somebody losing a half a finger could be interesting nevertheless. 

The press release enticingly mentions a free talk and tasting event sponsored by Fabal Lager (we’ve never heard of them either) on Saturday afternoon which sounds fun. Indeed, we reached out to City and Guilds to see if they were having a launch event featuring free wine and canapés which might just influence our review. Their response was ‘no’, but we’ve picked up the pieces of our shattered dream and moved on with our lives. 

No ticket is required for this event, just turn up.