Refugees and Al Weiwei at the Imperial War Museum

Last week we visited our very own Imperial War Museum to see the extremely evocative and until recently long closed exhibit ‘Refugees: Forced to Flee’ and its related exhibit ‘A History of Bombs’. The latter was created by Chinese conceptual artist and dissident Al Weiwei, who himself was forced to flee China. A History of Bombs is a site specific illustration of the power of bombs and their impact on human lives. On the floor in the main gallery are illustrations and descriptions of bombs so small they can fit in your hand, and others so life shatteringly huge the snake up a staircase. It is a moving reminder of how the human race built up a mind boggling arsenal in the 20th century just to obliterate ourselves. The parallel between bombs and something else that has obliterated ourselves over the past 18 months can’t be overlooked. 

The brutal reality of bombs is one reason why people become refugees in the first place, and the intriguing Refugees exhibition delves into different global conflicts such as the German invasion of Belgium during WW1, ethnic cleansing during the Bosnian War and the treacherous Mediterranean crossings of the present day. The exhibit begins by the societies that people departed from and often the brutal choices involved in leaving your culture behind for a place of safety where you may or may not be welcomed. 

The main section of this exhibit is dedicated to the journey that refugees take, both physically and mentally, and efforts of organisations like UNHCR which are there to help them. This includes camps where people set up a vibrant temporary community in a sometimes harsh and unforgiving surrounding. The final section explores the somewhat ambivalent attitudes of countries who accept refugees, and their efforts to help them assimilate and to preserve their culture. 

Included in the exhibit is a 360 degree immersive film installation created by CNN depicting life in a refugee camp in Lesbos, Greece. 

While this exhibit might not be the most cheery way to spend a Bank Holiday, it certainly gets the grey matter jiggling after 16 months of watching ‘Homes Under the Hammer’. And it is open all next week during half term. Both shows are free but you must book in advance. Refugees runs until 13 June so get crackin’.

Damien Hirst at Newport St.

We originally posted this in October 2020, and this thought provoking exhibit closed just a few days afterwards. Newport St. Gallery is opening on Wednesday of next week, again with little fanfare. Once Time Out (if they still exist) and others review this it will sell out very quickly and we cannot reccommend it enough. It is totally free and available for now, but not for long!  Book here.

Without a great deal of fanfare, on Wednesday Newport Street Gallery reopened with  a survey of Damien Hirst’s early work called ‘End of a Century’. The timing of this retrospective might be a coincidence or an intentional and very prescient observation of the world around us in 2020, as Hirst’s early work explored themes of death, healing, life saving medication, infection, and anatomy.  We checked out the show on it’s opening day. 

In the first gallery we were introduced to one of Hirst’s trademark dissected animals; this one being a baby shark in formaldehyde. Moving into the main galleries you might think you’d just wandered into aisle three at Iceland, as there were several freezers stuffed with frozen cow heads (we asked, and they are real). Also on show were Hirst’s trademark medication cabinets and a variety of medical implements. After an enormous anatomical model we’re left to ponder the slightly humorous ‘Shut Up and Eat Your Fucking Dinner’ (pictured at bottom) which was fashioned as a butcher shop window featuring a variety of meats encased in formaldehyde. Is meat murder? 

On the first floor we got to grips with several of Hirst’s spin and dot paintings, with one actually spinning in the room. Surprisingly, there were several cubist inspired collages of found materials which Hirst created before he was a student at Goldsmiths, even then showing his early interest in mortality and resurrection. The most arresting work upstairs was ‘A Hundred Years’, in which a bloody severed cow head is being eaten by maggots who turn into flies who then get executed by  an insect-ocutor. We’re not making this up. 

Some of these works are almost 30 years old and don’t have the shock value they once possessed. But if your artistic taste embraces decapitated cow heads, meat, pills, blood, dead flies, and medical implements then this show will be right up your street. Vegetarians might want to steer clear. And lest you don’t give your mortality much of a thought during the pandemic, this show is a reminder of the profound fragility of organic matter. 

Getting Curious in Walworth

We’ve experienced an inordinate amount of giddy thrill at the recent opening of Walworth Library and Southwark Heritage Centre in Walworth Road. Granted, when the biggest thrill of the day involves matching Tupperware containers to lids the threshold is pretty low. But this is a library with a difference. 

The library offers your usual library accessories in an open and quiet environment on several different levels. These include quiet places to read or work, bookable PC’s, a kids area, a curiously large travel section, and individual rooms to book. On our visit all of the seating was occupied as some chairs had been removed for obvious reasons. Intriguingly, set amongst the books are curios and artefacts from Southwark’s collection that very cleverly match the subject matter to the books around them. 

As we know you inhale your Runoff articles like a freshly baked brownie from Sally White’s, you’ll be aware that last year we wrote about the most curious man in Greater Kennington, Richard Cuming. The man collected everything from Egyptian mummies to rail tickets to harpoons. Upon the death of his son the collection was bequeathed to Southwark where it was mothballed for several years following a fire. A number of pieces have now been resurrected and form the backbone of the Heritage Centre It’s a fascinating collection of artefacts and artwork from around the world, interspersed with more recent history from Southwark’s past. In future the library will also have rotating art exhibitions. Check it out and maybe you can be the next most curious person in Greater Kennington.

Kenny, the Kennington Bowl Skatepark

If you’ve ever walked into Kennington Park from the Kennington tube end you might have noticed a large concrete edifice on the right. It’s a rare survivor of what used to be in many parks in the 70’s and 80’s, a skatepark. Our unloved relic, affectionately known as ‘Kenny’, was one of the earliest and opened in 1978. Unfortunately, Kenny was fitted out with poor railings and skaters had the inconvenient problem of falling out of Kenny and injuring themselves (which we thought was half the thrill but there you go). It was opened and then closed by Lambeth for a number of years afterwards.  

Fast forward to 2012 and Converse arrived to refurbish and renew Kenny under their ‘fix to ride’ scheme, and this included resurfacing the concrete. While the spiffy looking Kenny was great PR for Converse, it wasn’t so wonderful for poor Kenny. After Converse had their moment the resurfaced concrete soon became chipped and cracked and it was worse than it was before. Lambeth were forced to send Kenny into skatepark purgatory. A Youtube video of Kenny in its Converse heyday can be found here. 

Fast forward to 2021 and the Runoff are having a socially distanced and intriguing conversation with Friends of Kennington Park Secretary Rita Sammons. The Friends, working in partnership with Lambeth, are currently undertaking exploratory work to restore Kenny to its former glory. Lambeth has funded an initial survey to inspect the concrete plates that hold up Kenny (which is why at the moment Kenny has a giant hole in him). If it is stable the goal is try to find a way to gently skim off the concrete that Converse left behind. 

Rita explained that the vision of the Friends and Lambeth is to create a skate area that can be enjoyed by everyone, not just skaters. The could include a viewing area or a ramp up to the bowl, enabling access to people who can’t climb the stairs. In addition to recreating a free amenity for all Greater Kenningtonians (well, those who don’t mind having broken ribs), Rita and the Friends are also trying to preserve a piece of local history. One of the best features of Kenny is some very fine retro street art on the sides. Here is a sample but there are plenty more for you to discover. 

At the moment the Friends are not undertaking a fundraising campaign for Kenny but this might change. For more details and to get involved email skatebowl@kenningtonpark.org/. For other things the Friends are doing have a gander at the flyer below. 

The Other Dance for Joy in Greater Kennington

Next week we take our biggest leap yet into the realm of semi normality when outdoor dining and pubs open. Over the first week or so we will be exploring several different venues (for purely professional reasons) and will be giving you the lowdown on how the venues are making it work and how safe it feels. We feel that spring is going to herald a new sense of merriment and optimism in Greater Kennington, redolent of a time when this happened before.

For decades Lambeth Walk was arguably the most famous street in London: people sang, strutted and whistled in it’s honour, many without the faintest hint of where it was. Folks in Greater Kennington were ‘doing the Lambeth Walk’ long before the phrase became a nationwide symbol of the proud, working class Londoner. 


By the 1860’s Lambeth Walk was home to a major street market, with more than 200 yards selling everything from fish to books to soap. Our ancestors liked a good time, and would often promenade between the stalls, and this became known as ‘The Lambeth Walk’. The silver screen brought our little local strut to international viraldom with a movie adaptation of the musical ‘Me and My Girl’ called, you guessed it ‘The Lambeth Walk’ in 1939, and people copied it from New York to Berlin

While The Lambeth Walk might have been charming the world, the same couid not be said of the street and it was in serious decline. From the1930’s through to the 80’s old buildings were pulled down and replaced with modern blocks. Of course, WW2 hastened this transformation greatly. By the end of this summer we will be in the opposite of decline and perhaps Greater Kenningtonians can create a modern version of The Walk to celebrate all that we’ve lived through. 

The Lambeth Walk is an exaggerated rhythmic swagger, with ‘plenty of arm swinging, copious hat-play and elements of slapstick’. This sounds a bit erotic to us, but there you go. For the curious amongst you, or if you’re just bored, here’s a very early clip of people doing the Walk from ‘Me and My Girl’ –

All Hail Longdan!

Since the current lockdown began there is barely a facet of our lives that hasn’t been impacted. These include the small things (not being able to go to the pub) and the huge things (not being able to go to the pub). But one thing it hasn’t impacted is our ability to cook. I know you’re thinking ‘but those Runoff people are always getting takeaways’ and, well, you might have a point there. But we also enjoy cooking, and by a mile our favourite food shop is the fascinating and slightly surreal Longdan Supermarket in Walworth Road. 

Longdan is a pan Asian Market specialising in mainstream and, well, less conventional items from Thailand to Korea. They stock everything you need in terms of Asian fare such as sushi making kits, a wide variety of rices, sauces, every Asian noodle imaginable, tinned fruits, beers, sake, dumplings, buns and obscure and mainstream fresh herbs/salads. They also stock a huge volume of frozen fish.  One thing they do exceptionally well is condiments, and you can bag a range of soy and chili sauces, bean curd, stir fry mixes, and good old fashioned Siriracha. Having said that, our favourite bit is at the back, where they sell a variety of Asian kitchen products which are largely impractical for western chefs but a great way to make you feel like a cooking pro and impress your friends – ‘hey Sally, you mean you DON’T have a glutinous rice strainer? Hmmmm’.  

The wonderfully surreal element of Longdan is that they stock some items so specialised that it makes you feel as if you’re in a supermarket in China. These include chicken feet, snouts, nerves, testicles and, on one visit, brains*. Ever have a craving for mud fish or pangasius? Well they can sort you out. More mainstream watery things can be found in the guise of clams, anchovies and prawns. And if you ever feel that what is really missing in your life is a mini Buddhist Chinese shrine, then they’ve got you covered. The Vietnamese street food restaurant that used to be attached to Longdan is  sadly now gone, but the silver lining is that you can now make this at home.

*Vegans might want to give this place a wide berth. Or just order online. 

The Little Church that Could

If you’re reading this then you’re a survivor of the total mess that has been the past year. St. Mark’s Church Kennington is another survivor that has narrowly dodged fate over the years and we’re here to give you the story. In case you don’t know, St. Marks is the church across the street from Oval tube and site of the very epicurean Oval Farmers Market

From the 1600’s the area where St. Marks is situated was part of Kennington Common and was a place of notorious public executions. It was also the site of public fairs and boxing matches and gained a reputation as being a pretty dissolute and riotous place. Since there were a huge number of people fundamentally just hanging about and having a party, it attracted a large number of public speakers, many of whom were there to spread the word of God and deliver these doomed revelers from an eternity of damnation. A few centuries later a different kind of reveler there would rejoice at scoring heritage Enoki mushrooms out of season. 

The Duchy of Cornwall sold this corner of Kennington Common, known frighteningly as ‘Gallows Corner’, in 1822 and work commenced on the building we see before us today. The jury is out as to whether a church being placed on this spot was coincidence or design. Over the years the church grew and evolved, reflecting the changing demographic around it. At it’s height it was a hub of the community and served by a vicar, three curates and 250 church workers.  1,500 children were taught in the Sunday Schools by 125 teachers.

Our little church was almost completely destroyed by a direct bomb hit in 1940 and only the Grecian façade, pillars and cupola survived. It was partially restored in 1949 but the Southwark Diocese found further restoration unfeasible and it was earmarked for demolition, as there were more important things to rebuild at the time.  The building remained open to the elements until 1960 when it was sensitively restored. The church now reflects the much more diverse and multicultural environment which it surrounds, and has adapted in ways we all have recently.

“A busy south London crossroads formerly notorious for death and vice has become a place of life and renewal”. 

St. Marks on the left with Kennington (Park) Common in the middle. The building on the right is the famous Horns Tavern, now ‘Job Centre Plus’.

Getting Classy in Vauxhall

Twelve months ago the most optimistic of you lot said ‘great, I’m going to use this lockdown period to get really fit/do an online course /Run 15 times around Kennington Park’. But even in this era where time seems to be a meaningless concept, you haven’t actually done any of those things. Well here’s your chance to finally tick something off your list……getting into classical music. 

‘Classical Vauxhall’ returns on 18 – 21 March and can be streamed for free on these dates. It will of course be virtual this year, and we have trusted colleagues who went to the live events in 2020 and said it was amazing. Festival Director and the brains behind it Fiachra Garvey is joined by artists Jess Gilliam (saxophone), Zeynep Özsuca (piano), Elena Urioste (violin) & Tom Poster (piano), Hanna Hipp (mezzo-soprano) and Emma Abbate (piano). We’ve never actually heard of any of these people -BUT – we have seen some of their work on YouTube and it’s remarkable. Jess and her Sax is here   

The press release for this event intriguingly states that the performances will be set in closed venues ‘live in Vauxhall’. That got our grey matter working…where?  Perhaps Gentlemen’s Sauna ‘Chariots’ (doubtful as all the water would wreak havoc with the instruments)?   Notorious nightclub ‘Fire’ (the acoustics under a railway arch must be awful)? With a bit of research we discovered they will be held in the most more rarefied environments of St. Marks Church and Brunswick house, so easy on the eyes as well. 

The streams are free and will also give you a change to learn more about music in Vauxhall and the history of the Vauxhall Pleasure Gardens. Book here: http://bit.ly/CVaux-2021

A Strangely Named Street and a New Library

It’s up to the oldest part of Greater Kennington once again. For some time we’ve noticed a very peculiar street name in Lambeth North parts so we’ve done some digging and this is what we’ve come up with.

Old Paradise Street runs east of Lambeth High Street and is a very rare example of ‘paradise’ being used in a London street. The name conjures up visions of things that now seem exotic and far away, like a palm strewn beach, ordering food in a restaurant, or standing at a bar. In earlier times the word ‘paradise’ was often applied to a great walled garden and was sometimes an indirect reference to a royal property. 

Now that you possess that little nugget of wisdom you might ask, what’s so royal about Lambeth North? Well, long before the Archbishop got his hands on it (we’re talking about 800 years ago), the land around was the location of Lambeth Manor House. In comparison to the farmland and folks around it, the house and gardens were grand indeed and extended far beyond the confines of the current palace. Old Paradise Street therefore was the name given to the thoroughfare that led the approach to the gardens. 

And while we are in that neck of the woods, when the world pivots back into a sphere of semi normality Greater Kennington will have a new, enormous library at it’s disposal! Work has just finished on (who knew) Lambeth Palace Library, just outside the Palace walls. It’s actually more of an archive and museum of treasures from the Palace, and will be a resource for academics and the merely curious. This article from The Guardian does it justice very well. When the gala opening is announced in order to bag an invite we’ll pull the ‘don’t you know we’re Kennington influencers’ card*.  Afterwards we’ll give you a full review.

*This never works

The Elephant (not) in the Room

If you’re the astute sort you’ve probably noticed that the famous statue that used to adorn the primary entrance to the ‘now past tense’ Elephant and Castle shopping centre has been removed. And if you aren’t astute then trust us, it ain’t there anymore. We’re here to tell you more about the Elephant and if we’ll ever see it again. 

The original

When the Elephant and Castle pub closed for redevelopment in 1959 the metal statue was removed and then given a second lease on life as the centrepiece when the new shopping centre opened in 1965, above. Unfortunately it vanished in still mysterious circumstances a few years later and the centre was left without a mascot. Fast forward a few years and our current elephant was fashioned as a fibreglass replica and given pride of place. For over four decades it grew as a loveable mascot of Elephant. Frequently repainted in red and pink, over time it settled into a more grey patina, more suitable for a proud pachyderm. 

The statue has been removed for several months as it is apparently undergoing a million pounds (??!!) in renovation work. According to developers Delancey “We have been keen to keep the Elephant in the local area and are now therefore pleased to announce that the Elephant & Castle statue will be moving to its new home in Castle Square”.  We think this is builder’s parlance for ‘we wanted to get rid of it but Southwark told us we had to keep it’. Castle Square is a surprisingly spiffy little square behind the old shopping centre and is the current but temporary home to many of the centres’ former tenants, as seen below. 

If you have a preoccupation for statues that go missing from one place and then turn up somewhere else, first of all you might want to seek professional help. If the condition persists, have a look at our intriguing article about the mighty South Bank Lion that adorns our fair side of Westminster Bridge.