Richard Cuming, the most curious man in Kennington

In the 55 years that have elapsed since the middle of March, we’ve starting undertaking socially distanced walks around Greater Kennington. It was during one of these walks that we became more familiar with a true Kennington original and maybe the progenitor of all the Kennington eccentrics who have come after him; Richard Cuming.

Richard Cuming Kennington

Richard was raised in Walworth Road (intersection of Manor Place, now a McDonalds) in 1777. and it was here that his aunt and other family members sparked his curiosity for collecting all things unusual by giving him fossils, old coins, Indian arrowheads, and other ephemera which were easily available at the time, In adulthood Richard moved to 63 Kennington Road (below) and his collection grew to include items as varied as stuffed animals, ceramics, harpoons, footwear, and even early sunglasses.  Unlike many gentlemen collectors of his era, Richard never actually left the UK but was given these items or picked them up in markets around London.

IMG_0137

Richard’s collection in Kennington Road eventually grew to include over 25,000 objects and he was happy to show off his curiosities to as many people a possible. The home was a haven for collectors, scientists, historians, and  any passing Kenningtonian who shared his passion for all things unusual. The passion was passed on to his son Henry who, after his father’s death in 1870, moved the collection in a more populist direction by collecting objects that revealed the ordinary lives of south Londoners  from rail tickets to cheap toys and good luck charms

 

When Henry Cuming died in 1902 he bequeathed the collection to what was to become the London Borough of Southwark with the proviso that the collection be exhibited ‘in a suitable and spacious gallery or apartments in connection with Newington Public Library’. This wish was realised when the Cuming Museum was opened in Walworth Road in 1906. With a few additions from other sources the museum became very popular, a sort of Welcome Collection south of the river. The museum thrived until 2013 when the town hall complex was engulfed in flames and the building gutted.

Luckily, 98% of Richard and Henry’s collection survived the great fire and it is in storage until Southwark figures out what to do with it. But fear not, dear reader, as the collection very much lives on online and its quirky highlights can be found here. Now wash those hands!

C03254

We are the Lambeth Boys 2

Last spring we provided you, dear reader, with a link to a fascinating film about a youth club in Kennington from the BFI Film Archive. Now that you have more time on those sparkling, germ free hands of yours, we thought we would send it your way once again. And if you still find yourself at a loose end after viewing it, there are about 1,000,000 other films in the archive to fill your days and nights….Original post below. Enjoy!

You could probably spend a day few days, or in our case years, exploring the BFI Film Archive of old films about London. We recently discovered this treasure called ‘We Are the Lambeth Boys’ and it gives a fascinating insight into Kennington circa 1959.

The film depicts the lives of the girls and boys of Alford House youth club, which still flourishes in Aveline Street, pictured below. To 2019 eyes the 49 minute film appears slightly condescending, but it was in fact intended to dispel conceptions of ‘Teddy Boys’ (hence the conversation about apparel early in the film) and the culture of youth clubs in general.

Examining the (nerd alert!) outside shots of the estates, we think they were filmed around Newburn Street. If you are a fellow fan of ‘ohh, I know where that is’ viewing, scroll to (nerd alert 2!) 33:30 for a distinct view of 50’s Kennington Cross (shown below). If you’re still on board scroll back to (nerd alert 3!) to 26:10 for a glimpse of Cleaver Street toward Cleaver Sq. If you have any further nerd revelations please drop them in the comments box….

I need some nicer clothes…..

Image.png-4

Screenshot 2019-04-30 at 21.06.21

 

Classical Vauxhall

We don’t know a great deal about classical music, but we do know a thing or five about having a good time in Greater Kennington. If you have the time you could do a lot worse than check out the upcoming ‘Classical Vauxhall’ series. It promotes itself as embodying ‘drama and emotion of classical music in three of Vauxhall’s most quirkiest venues’. This has KR approval stamped all over it, especially when you add in that there will be a bar and a chance to meet lovely locals.

ClassicalVauxhall_Hero_2The fun kicks off on Thursday, 6 Feb. in St. Peter’s Church in Vauxhall. If you’ve never been then you should check it out anyway as it’s a beautiful great mammy of Victorian Gothicness with what we imagine are pretty fine acoustics.

Thursday 6th Feb, St. Peter’s Church – Quatuor Zaide & Fiachra Garvey

 

On Friday, 7 Feb. the classical fun continues at that playground of Georgian reclamation, Brunswick House (home of LASSCO). Now you might be thinking ‘I never really intended on spending my Friday night in a traffic roundabout in south London’ but LASSCO is worth it, if for no other reason then see the amazing if wildly unattainable objects on sale.

 

Friday 7th Feb, Brunswick House – Sean Shibe

Moving northwards and forwards, on Saturday 8th Feb the classical wave vibrates on to a KR fave, the fascinating Gardening Museum located at the side of Lambeth Palace (also Lambeth’s oldest building)

Saturday 8th Feb, Garden Museum – Adam Walker & Fiachra Garvey

 

While you might not know a great deal about classical music either, imagine the fun you can have impressing your friends with a conversation along the lines of this:

SALLY – Hey Paul, get up to anything musical this week?

PAUL – Thanks for asking Sally. Well, I figured out that the giant Daisy on ‘The Masked Singer’ is probably Charlotte Church. You?

SALLY – I went to a classical concert at Brunswick House

drops mic

CRIBS!

We know that you rely on us for riveting local matters, such as public toilets that might be turned into cocktail bars or scary garden gnomes which look like Tony Blair. However, once in a while public service beckons and we strive to join forces the larger community good.

A few years ago our Kennington friends over at the Earl of Bedlam posited the idea of a community information area in front of St. Anselm’s church to replace the one which has, quite literally, fallen off the wall in recent years. After consultation with an architect in Cleaver Sq. this evolved into more of a message board and 3D ‘monument’ taking more prominence towards the road and direct pedestrians to elevate their gaze above the isolation of their phones.  The current project is called ‘CRIB’ or ‘Community Resources Information Board’.

The initial purpose of the monument was hybrid. One was to act as an epicentre  for local people who want to meet  or impart a  message, and also to act as a permanent stone monument to celebrate our collective Kennington lives. Following a very well attended consultation last summer, the organisers decided that their plans might have been a bit ambitious in a community where resources were being cut, and this was scaled back to a message board with a stone seating area. Also in the mix was rotating art exhibits and contributions from City and Guilds art school in Kennington Park Road.

thumbnail_IMG_6108

 

 

 

 

 

 

 

 

 

 

 

 

 

The current proposal is the creation of a four sided stone plinth with four protected message boards and the aforementioned arts contributions from City and Guilds. The plinth will be made of a stone called Swaledale, which has preserved fossils from many millennia. This has been used previously in the very handsome new exit to Green Park station next to the Park. A current concept is that the stone will be engraved with the names who have contributed to the project, in Caroline’s words ‘from pennies to the thousands’.

thumbnail_IMG_6077

 

 

 

 

 

 

 

 

 

 

 

We celebrate these kinds of initatives not only as they create and perpetuate a sense of civic pride, but it also reaches out to the many people in our community who do not have access to the internet or who are not confident in using it.  If you are reading this we assume that you are probably interested in this project and how it might improve our special community. There are loads of ways to get involved in this project and the first way is to join their facebook group called ‘CRIBSKennington’. That bit doesn’t cost anything!

Winter Interest

It’s a bit unorthodox to be writing about gardens in the bleak midwinter, but we all need a bit of greenery in our lives, especially when the sky matches the grey Kennington pavements.

IMG_6135

Harleyford Road Community Garden in Vauxhall wsd created by the demolition of a terrace of Georgian properties in the 1970’s which featured inordinately large front gardens. In 1984 the progressive residents of nearby Bonnington Square agreed to work in partnership with Lambeth to turn the site into a place of quiet refuge amongst the nearby smog and snarl.

 

 

 

 

The arboreal product of the partnership  created 36 years ago persists to this day, and even in winter offers a great place for the public to stroll, eat a sandwich, reflect, or just experience an element of silence. The garden is divided into several different areas and includes a children’s play area, lawns, benches, picnic areas, and a mossy green pond. It prides itself on being the only accessible wildlife site in the area.

The Garden is still maintained by volunteers from Bonnington Square,  and it without question possesses the quirky,  ‘planty’. and independent aesthetic of the Square. This is evident in the mosaic wall and paving stones implanted with chipped china  and rocks. In reality the entire layout of the Gardens are the masterwork of Bonnington residents, and well done.

IMG_6134

With no small amount of surreal irony our quiet, pastoral refuge is sponsored by the rather notorious nightclub ‘Fire’. As intrepid and responsible local journalists we approached Runoff management about getting to the bottom of this relationship (in a strictly professional capacity of course) by actually going to Fire at 3am last Saturday. We were rapidly rebuked and informed that this would be ‘inappropriate’ and ‘compromise the ethos of the site’. Well lets see about that and watch this space.

The Gardens are very kid friendly and also placid and safe for people on their own who seek solace and serenity. Enjoy!

A Little History of 20th Century Architecture in Our Realm, Part 2

Pull those chairs a little closer still, boys and girls, as promised this is the second installment of the Duchy of Cornwall’s influence on the architecture of our area. This time we move forward and north east towards Oval and Vauxhall. Sorry Walworth, we will spread our pixie dust on good yourselves as soon as possible. We’re currently investigating zebras and lions in Pasley Park.

As mentioned last week, the town planner and architect Stanley Ashtead is responsible for the look and feel of much of post Victorian Kennington. He was influenced by the Georgian architecture of Kennington Road and this is heavily in evidence at Kennington Palace Court, below, circa 1922. There are also other examples in Black Prince Road and Sandcroft St. However, at the same time change was afoot in our area, and there was an increasing need for more high density housing.

Following WW1 the Duchy undertook a number of projects to further alleviate some affects of local deprivation. In spite of the Duchy’s many achievements conditions of poor housing endured, and as land became available (called ‘disposals’ for the nerdy sort) London County Council demanded that something be executed. As a response the Duchy sold sites to the east of the Oval to LCC (which later became Lambeth Council).  The Kennington Estate was the result, and the buildings live on as mighty tributes to famous Cricket players of the past, such as George Lohman and Bill Brockwell. You can even see the influence of the Duchy incorporated into the columns at the Oval end of the Cricket ground, if you look closely. If you don’t fancy looking closely we have a picture below

We again post an interesting doc about the Duchy of Cornwall estate and it can be found here. The Kennington funness kicks off at minute 41. If you’ve read this far then you probably have an interest in buildings. If this is the case we are going to a consultation this week about a proposed high rise slated for Kennington Lane, and we will let you know what we find….A case of history repeating, if ever there was one.

IMG_5758

IMG_5759

IMG_5754

A Little History of 20th Century Architecture in Our Realm, Part 1

Ok boys and girls, move your chairs up. We’re about to tell about the recent history of the Duchy of Cornwall Estate in two petite, pop up pieces. The first covers the development of the area in Kennington and Vauxhall from 1890 to 1914; the second covers the era between the wars. For the unaware, the Duchy is one of the titles of the Prince of Wales, which is why you can see his heraldic badge popping up around the area. We’ve included a few pics of what we are writing about the bottom, and we have more on our Instagram page.

The modern history of the Duchy Estate commenced in the 1890’s when many middle class folk were abandoning our area. Kennington had not escaped the exodus of people to greener and cleaner areas in the suburbs, and most of the housing stock had become very run down. The Duchy was concerned about the conditions in which many of our predecessors lived, and a start was made in 1893 to create modern, cleaner tenements. These first edifices were social experiments and still very much exist in Chester Way, the Duchy Arms end of Courtney St, bits of Newburn St, and Kennington Lane among other places.

In 1909, following a tour of housing estates in Germany, Stanley Adshead proposed further development of the Estate as more land became available. His idea was to draw middle class people back to our area, but the Duchy resisted as it felt it had a much more noble obligation to re-house existing tenants, mostly the old and working poor who were living in very substandard conditions. What they agreed on and what we still see today reflect a compromise. The houses on Denny Street (where you can see the German gabled influence of Ashtead’s travels), Cardigan St, and the bottom of Courtney Street were then created not for the destitute, but for older people and working families who deserved something better. A new and revolutionary kind of tenement was also erected, now called Woodstock Court, set around a central courtyard.

In designing some of the homes of this period, Ashtead was influenced by the Georgian houses in Kennington Road, which by that time were well over 100 years old. As an urban neighbourhood he appreciated the scale and feel of being in a town, as opposed to the rustic terraces inspired by Victorians like William Morris, and his small squares remain an influence. One of his last projects was St. Anselm’s Church in Kennington Cross. Work was commenced and then paused in 1914 due to the war, not to be resumed until 1933. You can see the pause in the brickwork about 16 feet on the side of the building. And this, reader, is where our story itself pauses.

In our next atom of archival architecture we will move through the first world war and up to the second, and focus on the estates in Oval and further into Vauxhall.

If you would like some more insight into the Duchy of Cornwall Estate check out this documentary on YouTube. If you have a poor attention span like us scroll to minute 41 where they talk about Kennington, Vauxhall and Oval. You might even see your own home!

IMG_5715 IMG_5674 IMG_5717

The Migration Museum

The other day we toddled over to Lambeth High Street to revisit the Migration Museum, only to discover that they are only open to special events ahead of moving. We reached out and discovered that while they aren’t technically closing, they just need a new venue, but in the meantime have a range of activities to titillate our Kennington senses.

 

Political events in recent months and years have cast a vivid light on migration and how it has shaped this country. The Museum certainly embraces the notion that migration has been beneficial to Britain, and uses examples of the real lives of immigrant groups to explain not only how they integrated into British society, but also how they incrementally changed it. This is achieved through photos, graphics, quotes, and art.

 

You might be asking, ‘why am I reading about a museum that is about to leave our area?’. After it’s deportation from our area the Museum will be living a very lively life online (especially Facebook and Twitter), with resources including links to about how to trace your lineage,  the impact of immigration in the UK, and refugees.

 

Before its departure, the Migration Museum is hosting a number of free activities (have we mentioned how much we love free stuff?), and some are kiddo friendly. We will definitely be at a few, so just wave wildly and we might spot you….But you won’t spot us as you don’t know what we look like…So just wave at everyone

A Judge’s Journey; John Dyson (the Hoover guy) in conversation with Shami Chakabarti, 31.10 18:30 – 20:00. And yes, tickets are still available!

Family History Day; a day to explore genealogy and local history (kid friendly) 2.11 10:30 – 16:30

Special Opening; A final opportunity to explore the collection, including Caribbean Takeaway and Room to Breathe. 23.11  12:00 – 18:00. This will be your last gasp before the Migration Museum flees our shores!

#migrationmuseum

The Cinema Museum and Lambeth Workhouse

The Cinema Museum is without question a local institution, and often one that is sometimes overlooked in our busy lives. The first of this two part piece is about the Cinema Museum itself. The next is about the intriguing history of the building and space in which it inhabits. Namely, the Lambeth Workhouse and former home of Charlie Chaplin (who seems to have lived in every property in Kennington).

The Cinema Museum was founded as a private collection in 1986 in Brixton. In 1998 it moved to the then derelict masters quarters of the Lambeth Workhouse which offered it the chance to expand it’s growing collection of cinematic ephemera and to also show films and provide a space for film related events. This hybrid role meant that it could act as a cinema and also a quirky and weird museum of lights, film posters, projectors and costumes which persists to this day.

IMG_5635

 

 

 

 

 

 

 

 

Given their limited budget the museum is usually only open to the public by appointment or before and after a screening, gig or a talk. On film nights you can pitch up early and have a intrusive KR prod around its nooks and crannies. Coming up on Thursday BBC journalist Samira Ahmed is speaking as part of their Argentinean film series and vintage flicks are shown on an almost daily basis. They also have upcoming film screenings introduced by Ken Loach and even *clutches Kennington pearls* former porn stars.

The Cinema Museum is a local asset very much at risk of closure without donations and relies entirely on people turning up to events (mea culpa!).   Even if you don’t give a hoot about the film on offer it’s a great chance to have a nose around and learn a bit about of cinematic history. And they have a bar!

The-bar-and-shop-at-the-Cinema-Museum-kenningtonrunoff.com_

City and Guilds MA Show

Yesterday we scooted our little Kennington legs over to City and Guilds to catch the preview of their mighty MA show. We highly recommend it but please be forewarned that it is huge. And we’re talking ‘take a pack lunch as you might get lost and hungry’ huge and is set over four floors of their atmospheric Georgian buildings.

Image-2.png

The MA degree show showcases the work of 31 artists and is staged across the school. The artists embrace mediums from oils and acrylics to applied art, sculpture, textiles, and even, err….pickled things. Most of the artists are present to explain their work and, failing that, there are useful viewing notes that describe their sometimes curious approach to their craft. And     most of the work on display is also for sale.

Image-1.png

It’s difficult to ascertain an overall theme to this year’s show, but recurrent themes seem to be about isolation, technology and alienation. Having said that, there is a pervasive theme of playfulness and frivolity in many of the works. If you want to encounter real, hands on work in progress there is an artist creating textiles and is happy to discuss her work with you. Also, in the ‘historic carving’ area you can have a chat with Taku Obata and watch him hard at work creating sculptures in wood. And this might be your only chance in life to meet a Japanese sculptor/break dancer/hip hop artist.

 

Top tip – If your other half is looking puzzled at any point and says ‘what the hell am I looking at’, look them square in the face and say ‘It’s about IDENTITY’. If they reply ‘no it isn’t’, then say ‘it’s about MEMORY’. It works every time.

City and Guilds is on Kennington Park Road and the entrance is on the side next to Cleaver Square. The hours are

Tuesday, 10 Sept  to Sunday, 15 September    12 – 5.

Image.png-4