Category Archives: Exhibits

The New Gallery at IWM

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Last week we attended the gala opening* of the spanking new Blavatnik Art, Film and Photography Galleries at the best museum we bet you’ve never been to, our very own Imperial War Museum. This permanent gallery is a valued addition to the Greater Kennington cultural landscape (it’s a thing, trust us) and includes works by Henry Moore, John Singer Sargent, Walter Sickert, Cecil Beaton, and Wyndham Lewis to name but a few. 

The galleries are laid out by themes and are chronological, from WW1 to 21st century conflicts. As with the other display areas at IWM, these new galleries don’t seek to glorify war but rather to explain it and how it can be avoided. This is achieved by a captivating mix of propaganda posters, photographs (the gallery own 12 million),  armaments, film clips, cameras, and first hand accounts. But the great achievement here are the paintings, with the highlight being the recently restored work ‘Gassed’ by Sargent (below). We could have probably spent several days in the gallery’s two screening rooms but the Runoff overlords would have none of it. The reel of clips range from footage of the D-day landings to advice about how to make a wartime compost heap. 

Gassed

Rather than being a historical record, the galleries include current work showcasing the conspicuous talent of artists such as Steve McQueen (the Oscar winning artist, not the formerly living action hero). He’s represented here by his artwork ‘Queen and Country’. Also in the mix are descriptions of anti war protests, marches, and attempts to avoid war. This is interesting in its own right, but especially when  considering the complex dynamics of what is transpiring in Gaza and Israel at the moment. But a celebration of war artists and photographers is the beating heart of these expansive and well thought out galleries.

You might be reading this and thinking that the IWM is nationalistic and not your cup of chai. We get that, but we are duly challenging you to get your Guardian reading, tofu buying  selves over to the IWM when you have a spare hour of two.  And as you’ll be in the neighbourhood anyway, why not check out the fascinating exhibit about spies and deception that we wrote about a few weeks ago? Did we mention that they have a stonking café with pretty cakes and sarnies? 

*We coincidently pitched up the day it opened 

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Cruising for a Bruising

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We like to check out the latest exhibits at our very own Gasworks Gallery in Oval as we care about our readers and the gallery is just a little unorthodox (Styrofoam coffins!). The current exhibition is by artist Trevor Yeung and he uses the structure and maintenance of plants to explore how humans relate to one another, and in the show delves into how people use nature in the gay cruising area of Hampstead Heath, which has been popular with cruisers (famously George Michael) since the 19th century. 

The gallery rooms are almost totally dark so you might want to let your eyes adjust when you enter the immersive space or you’ll be cruising for a bruising. Once adjusted, you’re in an ethereal wooded space just before sunrise and you’ll need to rely on the sounds and smell of nature to guide you. The smell is of pheromones, earth, and Lynx body spray. You’ll also notice landmarks such the famous ‘piss tree’ in addition to a tinkling fountain, acorns and leaves. 

What Yeung has created is a clandestine world loaded with feelings punctuated by brief, fleeting encounters. The brevity is mirrored in a misty early morning shroud that will itself disappear quickly. To some this part of London might be very well known, to others it’s as shrouded as the rooms that Yeung has created. 

We told you it was dark

Most of us in the office know London well and have never heard of the aforementioned ‘piss tree’. When your scribe asked Phil from accounts he squirmed in his seat and replied, while not taking his eye off his spreadsheet, ‘I don’t know what you’re talking about’. We believe you, Phil. 

Trevor Yeung: Soft Ground is open now until 18 December and is totally free. Gasworks is open from 12:00 – 5:00 Wednesday to Sunday so you’ve been advised. Associated with Soft Ground, there is a scent workshop this Saturday from 12 – 3 exploring scents and how they make us feel. We don’t have evidence that this is linked to the piss tree. 

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Spies at The Imperial War Museum

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We recently visited the spanking new exhibit ‘Spies, Lies and Deception’ at our very own world class museum-that-you-probably-don’t-go-to, the Imperial War Museum. The exhibit covers the vast period from WW1 to deepfakes and AI, and like all good things in life is totally free. 

In this sprawling exhibit we initially learn that the fundamental goal of spying is to control a narrative to in order get the outcome you want. And what is on offer is the manifold ways in which this achieved, from pens that shoot teargas to ghetto blasters with hidden mics and fake airfields created by Shepperton Studios. The exhibit is broken down into smaller sections handily laid out as ‘Power of Persuasion’ (or the ability to control one’s mind), ‘Hiding Something’ (an Enigma machine features) and ‘Surprising the Enemy’ (eg camouflaged to look like a scary straw man). Now if only we could harness these skills to keep another estate agent from opening up in Kennington.

At its heart this is an exhibit about personal stories. These range from superspy Kim Philby to an unassuming middle aged couple who transformed their modest bungalow in Ruislip into a Russian spy HQ. And these stories continue to our present day, with a description of the Salisbury poisonings a few years ago. There are also stories on the home front about wireless operators and people sent covertly overseas and having to conceal this to their families. But our favourite display is the footprint overshoes used to create the illusion that the soldier was a local walking in the opposite direction. 

If over the years you’ve given the IWM a wide berth because you think it promotes or celebrates war, we can assure you that this is not the case. It’s much more about the consequences of conflict, how to avoid it, and human resilience in the face of it. For those reluctant a good starting are the galleries about women during wartime, who kept the country moving as the men folk were fighting. 

‘Spies, Lies and Deception is on now until 24 April so you have no excuse to not see it….Or just lie about seeing it to make you look clever and cultured.

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Van Gogh House

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We recently took advantage of a discount to make the bold and frankly quite terrifying decision to step out of Greater Kennington to visit the Van Gogh House on the Oval/Stockwell borders. The house isn’t really a museum per se, and was described by the perky and well drilled staff person as ‘a gallery space for people inspired by Van Gogh and other artists’. 

In a reality that might seem a bit surreal to the unaware, before becoming an artist Vincent Van Gogh did indeed live around the corner from the present day Lidl in Stockwell. The house outlines his life at the time through the letters that he prolifically wrote to his brother Theo, a few photos and drawings, and the efforts made to establish Vincent’s  residency in the home in the 1970’s. The rooms also offer a fascinating glimpse into a busy 19th century boarding house and school, where 11 people lived. 

On the gallery front,  the exhibit on now until 17 December is called ‘The Living House’ celebrating the 150 years since the great man’s residency. The exhibits explore the notion that the home is still inhabited in some manner and plays on the notion that the house is a collaborator in the artistic process and toys with the concept that art and living are entwined. And you even get a bar of soap for your cerebral efforts.  

Until 30 September Lambeth residents can visit Van Gogh museum for £4 and tickets can be nabbed here. If you live in Southwark then sorry, no discount for you. If you live in Wandsworth we’re not sure why you’re reading this site but should nevertheless be applauded for your profoundly good taste. 

If the sound of Van Gogh House makes you want to chop your ear off, you can instead go to the very tasty Van Gogh vegan café nearby, which has been rocking our top ten list © for a number of years. 

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The Future Lambeth County Court

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If you’ve ever waltzed down Cleaver Street (the street connecting Cleaver Square to Kennington Cross) you will have stumbled upon the majestic Lambeth County Court building, which served our community loyally for 90 years until it was decommissioned in 2017. Since then it’s been shut to the public, opening its doors only tantalisingly for art exhibits, such as the one we covered in 2019. But change is afoot and we’re here to tell you all about it. 

First a potted history. In 2020 owners Duchy of Cornwall appointed property developers to transform our lovely bit of early 20th century architecture to…you guessed it…. luxury flats. We saw the proposals in 2021 and it involved adding floors to the top, destroying the insides, and adding a huge wing to the back. Thanks to the unceasing exertions of neighbourhood groups and the strongarm of the 20th century society, listed buildings consent was granted at the end of 2021 which fortunately squashed the overambitious dreams of said developers. 

During a recent open day inside the court building, we had conversations with folks from Fathom Architects, Rolfe Judd Planning, and most importantly an advisor on heritage who is ensuring that folks adhere to Grade II listed building guidelines. What is planned is the creation of two offices (non retail) on the ground floor and then nine flats above. This will be achieved by adding an additional floor (not easily visible from street level) and an addition at the back. The courtrooms will retain their original look with one flat built entirely inside one of the courtrooms. Most importantly, the lovely curved stairway will be retained. Full details can be seen here. 

Our new neighbours will be living in nine flats that range in size from 500 to 1800 (!) square feet, with the lucky sods on top having roof terraces. When I asked how much these unaffordable flats will cost, the Rolfe Judd guy squirmed in manner which we’ll call ‘contorted’, and replied ‘300 to 400, with the top ones going for a 1.5 million’. So ending up in a courtroom is really lucky for some people. Ground will probably break on the project after planning consent later next year with a 12 to 18 month construction window after that.  And please don’t ask us to wade in on planning permission, as we did that in 2021 and still can’t calm the shitstorm that ensued.

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Greengrassi Gallery

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We have to admit that we were only made aware of this Kennington gallery by a tourist website (and its usually them nicking ours ideas). So after we did a bit of research we discovered that Greengrassi is a rather enigmatic independent gallery with rotating exhibits by groundbreaking artists such as Turner Prize winner Tomma Abts. So under the guise of sunhatted local art aficionados, we recently popped over to inspect their latest offering, ‘nightlight’ (poor punctuation not ours) by Karin Ruggaber and Simon Ling. 

Karin Ruggaber is a professor at Slade and works in sculpture. Working with a range of different media, her work explores aspects of touch, feeling, and our relationship to architecture. She’s been exhibited at Tate Modern so she probably knows what she’s talking about. Simon Ling is a studio based painter who depicts materials mostly found but sometimes made. Ling’s subjects include rotting pieces of wood, undergrowth and (stick with us) circuit boards. He gives these unloved items a sense of agency by adding beauty, thereby making them valued again. 

Karin’s work at Greengrassi is an edit of 75 photos she took following in the footsteps of two amateur photographers in Rome in the early 20th century. The pictures depict fountains and buildings in Rome and are manipulated into quite stunning and tiny sepia/silvery images. Simon’s quite monumental paintings depict rotting and unwanted plants in a setting somewhat like a deserted garden centre. In a sense these captured plants exist somewhere between life and death and create a dystopian yet optimistic view or our green world. 

Greengrassi is at 1A Kempsford Road behind the Cotton’s Garden Estate and is totally free and open to the public. It is located behind some rather sinister looking black doors but don’t let that put you off! Open Tuesday to Saturday 12-6. nighlight is on until 29 July. 

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Brian Clarke at Newport St.

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Most of us equate stained glass with ecclesiastical feelings of guilt, forgiveness, penitence and, in our case, parental disappointment that we’ve chosen to work at a publishing house that might not actually exist. However, the newest offering at Vauxhall’s Newport Street Gallery takes stained glass out of the church and challenges us to consider it as a stand alone form of art, and we’ve just checked it out for you. 

Brian Clarke is regarded as the most significant figure working in stained glass today and the current show, ‘A Great Light’, is an overview of his output over the past 20 years. On the ground floor we encounter a quite mesmerising new work called ‘Ardath’, a huge wall of mouth blown glass depicting a floating, flowering meadow in springtime. A selection of Matisse like cut outs complement the work on the opposite wall. The other downstairs rooms feature skulls in a variety of settings. 

Upstairs we are presented first with an aquatic theme, in which a warship and men on a beach appear to be oscillating and moving in dot matrix compositions. The final rooms are the most interesting, and consist of a series of folding screens which possess a kind of ethereal beauty. Screens are intended to prevent us from seeing something, but these screens invite us to look through them with their depictions of jellyfish, heraldry, and flowers. Also in these galleries are smaller, jewel like panels presented on plinths. 

A Great Light is foremost an uplifting and life affirming body of work (in spite of the skulls) and feels quite appropriate for a sunny summer’s day. And if you don’t like stained glass they have an ace selection of merch to make your friends think you’re a real art connoisseur. 

Brian Clark, A Great Light is open now until 24 September at the Newport St. Gallery and is totally free. Just turn up.

Some of the merch
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City & Guilds Foundation Show

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Another milestone has arrived on the Greater Kennington cultural calendar (it’s a thing, trust us).   City and Guilds of London Art School is having its annual show and we’re on the case. These artists are completing their Foundation year, so the work is less advanced than the much grander Degree Show (we’ll get on to that in a tic). The students are studying a more proscribed range of styles than their more advanced counterparts but are much more experimental (read, slightly mad but very interesting). The themes this year seem to be 1. Saving the planet 2. Dirt 3. Saving the planet through dirt 4. Rocks. If you want to impress your friends, bring them along and when they invariably  ask ‘well, what DOES it mean’, try rolling your eyes and saying ‘it’s about IDENTITY’. Or make it newsworthy by saying ‘what’s wrong with you, it’s about THE PRICE OF EGGS’. 

24 to 30 June brings the mighty (we’re talking huge) Degree Show in the main buildings of the college. It showcases a range of up and coming artists arranged in small rooms, so you can see a larger selection of their works. What we find most interesting is that you can see the work of historic wood and stone carvers in the back garden area. Also of interest are the upper floor areas dealing with conservation and restoration. And if you don’t care for something keep your trap shut as chances are the artist is behind you. And there is an even bigger MA show from 2 to 9 September. 

`The Foundation show is open 18,19 and 20 May from 10 – 5 in the old telephone building in Kenning’s Way and is totally free. Of the three, we find this the most fun as you never know what you might encounter when you turn a corner. For example, an armchair sprouting grass (below) or fake children worshipping broken glass (also below).

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Nocturne at Gasworks

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If you visit us regularly here on the Runoff you’re aware that when a new show arrives at Gasworks Gallery in Vauxhall we like to check it out for you. If you’ve never been to Gasworks it’s located at the Oval end of Vauxhall St. and is perfect if what you really demand from a gallery involves Styrofoam coffins or dolls that talk to you. 

The current installation at Gasworks is ‘Nocturne’ by Swedish artist Ingela Ihrman. Her practice focusses on nurturing empathy and a sense of wonder at all living creatures, with an emphasis on cave dwelling Oilbirds. Guests can literally merge with nature itself by walking through the exhibit while wearing a sculptural cloak made from wool and, um, air fresheners, which can be found behind the reception desk 

The gallery itself is cast in cave like semi darkness, with some quite beautiful hand made feathers dangling from the ceiling. There are also two video installations, the first being a gastroscopic journey through the digestive tract of a snake. In the second, the artist feeds a handmade Oilbird a variety of fruits, including a pineapple that is bigger than the bird itself. The overarching theme being a thought provoking examination of how we rely on nature and it relies on us. There are other themes too, but we’d never do your thinking for you you’ll have to check it out for yourself. 

Ingela Ihrman: Nocture is on now until 30 April and is totally free. Gasworks Gallery is open Wednesday to Sunday 12 – 6. 

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Chartist Podcast Walk

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This week marks the 175th anniversary of the Monster Chartist Rally in Kennington Park. Chartism was a working class movement aimed at giving all men (not women unfortunately, that came later) over 21+ the right to vote. They also sought to professionalise Parliament by ensuring that MP’s get paid. This would allow regular working people ( read – men) to become MP’s as opposed to it only being a viable option if you were a property owner and had spare time on your hands during the day.

The Chartists came together on 10 April, 1848 and this so thoroughly freaked out a government who feared a revolution that they called the army to Kennington Park and later recruited thousands of special constables. They even carted off poor old Queen Vic to the Isle of Wight for her own protection.   To commemorate this event, the Friends of Kennington Park have put together a spiffy guided tour complete with podcast that outlines how the day unfolded and what happened afterwards. The whole walk takes only half an hour and like most great things we recommend is free. 

While you’re in Kennington Park building grey matter why not pop over to the History Hut at the southern end of the park? Not to be confused with the nearby Hound Hut (which we once confused for an sex shop) or indeed Pizza Hut, the Hut is full of fascinating factoids about our beloved neck of the woods over the years. 

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