Tim Hetherington at IWM

Feeling cultured for the first time in 2024, we recently paid a visit to our very own world class museum-we-bet-you’ve-never-been-to, the Imperial War Museum. What drew our attention was an exhibit of the work of photographer Tim Hetherington, who was technically a war photographer but much more interested in the personalities and back stories of the people in front of him.

As an independent journalist, Hetherington joined rebel convoys in west Africa, bunked up with GI’s in Afghanistan in 2007, chronicled droughts and harvests, and captured the early days of the Arab spring in Libya (which cost him his life). And while he was at it, managed to win four World Press Photo Awards and nab an Oscar nomination. As you do… 

What this show is not about, consistent with the ethos of the War Museum itself, is a glorification of warfare. Hetherington’s concept was more sociological and, as the title indicates, about storytelling. In the videos that augment the exhibit, Hetherington and his colleagues discuss his photography and the unique way in which he obtained his images. Unlike other photographers, he never asked his subjects to pose in front of a silent lens, preferring instead to interact with the subject, even if they didn’t share a language.  

Especially if you are a militant pacifist, this kind of journalism is of crucial importance as it exposes the trials and injustices of society to a rich, safe first world who would rather just ignore them. But ignore this show at your peril, as it will keep you thinking. Storyteller: Photography by Tim Hetherington is on now until 29 September and, like all wonderful things in life, is totally free. 

You are Going to Die @ Southwark Playhouse

Life is hard, and once in a while all you really want to do is catch a play with a naked man sprinting around a smoking toilet. Such a play has arrived in our anointed patch and while this specific production might not be your pot of tea, it might open your eyes to the more mainstream offerings over at both branches of the Playhouse.  Of course we’ve checked it out for you.

You Are Going to Die was the breakout play at Edinburgh Fringe last year and was received with rave reviews. With the use of his body, the actor/creator takes us through a series of nude vignettes which feature different people at different ages. Themes of climate change, rejection and alienation in a fast moving world are abiding themes. His presentation is at times vulnerable and at others menacing and anarchic. With all this heavy material the piece (all 70 minutes of it) is, ironically, often humorous, especially when he addresses the audience directly. During our show he was able to tell off two late arrivals by only using his body. 

If penises swinging about isn’t exactly what you’re looking for on a night out, Southwark Playhouse has two local houses (the Newington Butts venue is shiningly new and we’ve reviewed it here) with a wide variety of quickly changing shows. At the moment they are also showing in interesting new play about football fans and in May an ‘adult fairy tale’ about Sappho. 

You Are Going to Die is on now until 4 May and tickets are £26. We can assure you, it won’t be boring but it isn’t for everyone. And the Borough outlet has a cracking bar which is open to the public.

Bert Hardy @ Photographer’s Gallery

If you’re not a regular Runoff reader (and if not, we kind of feel sorry for you), you’ll be aware that it is with a heavy heart that we recommend activities outside of our anointed patch. But recommend we are, and it the retrospective show of Bert Hardy at the Photographer’s Gallery, and we wrote about the man last year.

For many years Hardy worked for Picture Post magazine and his speciality was war photography. In between war work, Hardy would return to his native Southwark to photograph everyday life in post WWII Elephant and Castle. This culminated in his most celebrated tome of work ‘Scenes from the Elephant’, published in 1949. While this show is about his entire oeuvre of work, there are a number of photos from ‘Scenes’ 

Bert Hardy: Photojournalism in War and Peace is on now until 2 June. Admission is a spiffy £6.50 also also gains you admission to the Deutsche Bourse Photography prize and some other thrilling bits of photo fun. And if the concept of the West End is daunting and bleak, the Gallery is just around the corner from the equally bleak Oxford Circus tube, but worth it. 

World Food Night in Vauxhall this Saturday

Goding Street is the unloved passage that sits between Vauxhall Pleasure Gardens and the railway tracks. One associates the place with visions of wheelie bins, nitrous oxide canisters, and gentlemen who enjoy an outdoor beverage. What one doesn’t associate with the place is a world food fest, but one is about happen on Saturday the 28th! It’s free and we all love free. Details below.

We don’t have a great deal of intel about this event but it’s being sponsored by the Mayor of London and the good folks over at Vauxhall One so it should be quite well organised. The vendors will be from all around London so not necessarily local, but nevertheless small businesses who could use our trade.  And hopefully it will be a mild night, allowing all of us to become people who enjoy an outdoor beverage. 

If you Google this event it will lead you to an Eventbrite page stating that it is sold out. Ignore that as its free and outdoors. 

Fun fact/useless information. A number of years ago we got to talking to some people who lived in the neighbourhood that was bulldozed in the 70’s to create the Vauxhall Gardens. Apparently Goding street is pronounced ‘Godding’ as opposed to ‘Godeing’. You’re welcome. 

Victorian Vauxhall

Fun Things to do Over the Bank Holiday #1

In the past we haven’t really covered this annual Greater Kennington event in Spring Gardens in Vauxhall because we thought it looked a bit corny and was geared towards kids. However, it seems more interesting this year by the breadth of activities and the involvement of the great pub  Jolly Gardeners and the lovely (but overpriced) beer hall Mother Kellys

The press release states that Victorian Vauxhall will ‘recreate the magic of the past with captivating performances, vintage displays and fun for all ages’. Also holding fort will be jesters, acrobats, a regency hair salon (!), and someone intriguingly called a ‘Bubbleologist’. And we’re sure many good local food stalls will be available to keep you full.  The press release also excitedly mentions the chance to go sky high in a hot air balloon. But to be honest, if you want to see people sky high in Vauxhall all you really need to do is stroll over there on any random Saturday night. 

Victorian Vauxhall is this Saturday, the 26th from 2 to 7 and is totally free. When we were sent the photo below our initial thought was that these men must be promoting some new fetish night at a Vauxhall nightclub. As it turns out, they’re portraying Victorian bodybuilders and they will also be present. 

Greengrassi Gallery

We have to admit that we were only made aware of this Kennington gallery by a tourist website (and its usually them nicking ours ideas). So after we did a bit of research we discovered that Greengrassi is a rather enigmatic independent gallery with rotating exhibits by groundbreaking artists such as Turner Prize winner Tomma Abts. So under the guise of sunhatted local art aficionados, we recently popped over to inspect their latest offering, ‘nightlight’ (poor punctuation not ours) by Karin Ruggaber and Simon Ling. 

Karin Ruggaber is a professor at Slade and works in sculpture. Working with a range of different media, her work explores aspects of touch, feeling, and our relationship to architecture. She’s been exhibited at Tate Modern so she probably knows what she’s talking about. Simon Ling is a studio based painter who depicts materials mostly found but sometimes made. Ling’s subjects include rotting pieces of wood, undergrowth and (stick with us) circuit boards. He gives these unloved items a sense of agency by adding beauty, thereby making them valued again. 

Karin’s work at Greengrassi is an edit of 75 photos she took following in the footsteps of two amateur photographers in Rome in the early 20th century. The pictures depict fountains and buildings in Rome and are manipulated into quite stunning and tiny sepia/silvery images. Simon’s quite monumental paintings depict rotting and unwanted plants in a setting somewhat like a deserted garden centre. In a sense these captured plants exist somewhere between life and death and create a dystopian yet optimistic view or our green world. 

Greengrassi is at 1A Kempsford Road behind the Cotton’s Garden Estate and is totally free and open to the public. It is located behind some rather sinister looking black doors but don’t let that put you off! Open Tuesday to Saturday 12-6. nighlight is on until 29 July.