City & Guilds MA Show

The pinnacle of the Greater Kennington arts calendar is upon us again in the guise of the MA Show over at City and Guilds in Kennington Park Road. Now if you’re thinking ‘hang on, didn’t I just go to that’ then you’re thinking about the BA Show in August, so keep up. The MA show is a more mature and subdued affair, usually, so don’t expect any swing sets wrapped fur which talk to you. But nevertheless expect a few surprises.  

The MA programme at C&G focuses on fine art and does not include other speciality areas such as carving, conservation or restoration. Most of the artists are on hand and are more than happy (we’re talking, almost dying) to talk about their work. An obvious theme this year was isolation and vulnerability, and this was expressed in various ways. One artist worked exclusively in parsley (yes, the herb) and another one we got chatting do expressed herself by making doll sized dioramas filled with dust. Another crafted his work by a very heavy reliance on table salt. 

More traditional mediums are mostly used across the vast Georgian buildings of the school and it is easy to lose yourself as you wander about. A number of artists are working in sculpture and some pure drawing, but the majority of works are on canvas by use or oils, acrylics, or watercolour. Some interesting deviations are present, such as an artist who likes to depict 50’s ‘femme fatales’ in oil on Perspex (below). Some of the works are large format, others miniscule. The volume of work on show can be a bit overwhelming, but the impression is of a well curated and at times stunningly beautiful body of works. 

The MA show is open daily (other than Monday) from 10 to 5 until Saturday, 23 October. Even if you don’t really care for art it is totally free and a fun way to whittle away a lunch break, even if you’re not the arty sort.  

City and Guilds London Art School has a very long and fascinating connection to Greater Kennington. Before being in its present location it was in Vauxhall, with one its early patrons being the Doulton Pottery factory who used their students to embellish their works. With a strong contingent of female students, it also has links to the Suffragette movement in the early 20th century. You can even but some of these works on Ebay!

Ragged School in Lambeth

By the second half of the 19th century the rural idyll that was Vauxhall was well and truly over and replaced largely by desperate folks looking for work, and they brought their kids. Ragged schools were charitable organisations that popped up to educate destitute (hence the name ragged) children who were not allowed in traditional schools. A very significant one existed in what is now Newport St. 

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Local gin/vinegar (that must have been some pretty foul gin) magnate Henry Hanbury Beaufoy funded and founded the school, opening it in 1851 and dedicating it to his wife. Like other Ragged Schools, our Vauxhall branch taught reading writing, bible studies and even ways to emigrate. On the pastoral side, the children were fed and children without parents lived there. A visitor at the time noted – 

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“The attendance in the winter averages about 400 boys and girls every Sunday evening. The gentlemen who manage the Ragged School do everything they can to instruct and encourage the children in well-doing; they make them presents of Testaments and Bibles and give them occasional tea parties. In fact, everything is done to improve them in the school. The patience of the teachers is surprising. The girls are better behaved than the boys; they are the children of very poor people in the neighbourhood, such as the daughters of people selling fruit in the street, and such like, and found several children of street-beggars there”. 

As the Ragged School was built to address the migration of people, the beautiful edifice above also met its fate due to people moving. It was unfortunately flattened just a few decades after its creation as it fell victim of a Vaxuall/Waterloo rail line extension. Curiously, a bit of the building was left standing and is now home to the great but almost never open Beaconsfield Gallery, and its Ragged Café. The school was restablished by Henry’s nephew Mark Beaufoy (the Liberal MP for Kennington at the time) and rechristened as the Beaufoy Institute in Black Prince Road. This building has had many incarnations but it survives. 

You might find it intriguing that the handsome Doulton adorned Beaufoy Institute building below wasn’t just turned into luxury flats when a school there closed a number of years ago. This is again the legacy of the Beaufoys. Lambeth respected the Beaufoy wish that at least half of the land be sold to a non profit organisation. So the old car park in the back was sold to Bellway homes, and the institute is now inhabited by the Diamond Way Buddhist Centre. 

Royal Doulton in Vauxhall

We humans were not built to spend six hours a day on ‘Zoom’ calls (which we are thinking about renaming ‘Co-Vid’ calls) and if you’re working from home it is always good to take a brisk walking break. We recommend having a gander at one of the most striking buildings in our area, the former Royal Doulton Pottery building now known as ‘China Works’.

Royal Doulton was established in Vauxhall Walk but moved to the corner of Black Prince Road and Lambeth High Street where this Gothic wedding cake was erected in 1876. This building is a survivor of a vast Doulton complex which was in use until the 1950’s. The building is cast in red brick with polychromy and an array of terracotta highlights. It was intended as a living advertisement to show off the Doulton product. 

This particular building was used as a museum and art school, and the relief above the door (called a ‘tympanum’, and aren’t we smart) depicts a group of people inspecting some terracotta pots, and a woman with a cat painting one. By the 1870’s Doulton was moving in a more decorative direction with the aid of Lambeth School of Art, which is now City & Guilds of London Art School in Kennington Park Road. It should be noted that almost all of the painting and decorating of the pots was undertaken by women, and was a rare and early example of a skilled craft which women could access. 

The area around the Doulton Factory is about to undergo some very profound and very controversial changes. We don’t make judgements on planning issues on KR but judge for yourself. The building is, thank god, listed and currently occupied by one of those workspace outfits which recently have been popping up like head lice. So our gothic confection is going nowhere, but it might suffer the indignity of having a ‘Franco Manca’ stuck into it one day.