A Little History of 20th Century Architecture in Our Realm, Part 1

Ok boys and girls, move your chairs up. We’re about to tell about the recent history of the Duchy of Cornwall Estate in two petite, pop up pieces. The first covers the development of the area in Kennington and Vauxhall from 1890 to 1914; the second covers the era between the wars. For the unaware, the Duchy is one of the titles of the Prince of Wales, which is why you can see his heraldic badge popping up around the area. We’ve included a few pics of what we are writing about the bottom, and we have more on our Instagram page.

The modern history of the Duchy Estate commenced in the 1890’s when many middle class folk were abandoning our area. Kennington had not escaped the exodus of people to greener and cleaner areas in the suburbs, and most of the housing stock had become very run down. The Duchy was concerned about the conditions in which many of our predecessors lived, and a start was made in 1893 to create modern, cleaner tenements. These first edifices were social experiments and still very much exist in Chester Way, the Duchy Arms end of Courtney St, bits of Newburn St, and Kennington Lane among other places.

In 1909, following a tour of housing estates in Germany, Stanley Adshead proposed further development of the Estate as more land became available. His idea was to draw middle class people back to our area, but the Duchy resisted as it felt it had a much more noble obligation to re-house existing tenants, mostly the old and working poor who were living in very substandard conditions. What they agreed on and what we still see today reflect a compromise. The houses on Denny Street (where you can see the German gabled influence of Ashtead’s travels), Cardigan St, and the bottom of Courtney Street were then created not for the destitute, but for older people and working families who deserved something better. A new and revolutionary kind of tenement was also erected, now called Woodstock Court, set around a central courtyard.

In designing some of the homes of this period, Ashtead was influenced by the Georgian houses in Kennington Road, which by that time were well over 100 years old. As an urban neighbourhood he appreciated the scale and feel of being in a town, as opposed to the rustic terraces inspired by Victorians like William Morris, and his small squares remain an influence. One of his last projects was St. Anselm’s Church in Kennington Cross. Work was commenced and then paused in 1914 due to the war, not to be resumed until 1933. You can see the pause in the brickwork about 16 feet on the side of the building. And this, reader, is where our story itself pauses.

In our next atom of archival architecture we will move through the first world war and up to the second, and focus on the estates in Oval and further into Vauxhall.

If you would like some more insight into the Duchy of Cornwall Estate check out this documentary on YouTube. If you have a poor attention span like us scroll to minute 41 where they talk about Kennington, Vauxhall and Oval. You might even see your own home!

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The Migration Museum

The other day we toddled over to Lambeth High Street to revisit the Migration Museum, only to discover that they are only open to special events ahead of moving. We reached out and discovered that while they aren’t technically closing, they just need a new venue, but in the meantime have a range of activities to titillate our Kennington senses.

 

Political events in recent months and years have cast a vivid light on migration and how it has shaped this country. The Museum certainly embraces the notion that migration has been beneficial to Britain, and uses examples of the real lives of immigrant groups to explain not only how they integrated into British society, but also how they incrementally changed it. This is achieved through photos, graphics, quotes, and art.

 

You might be asking, ‘why am I reading about a museum that is about to leave our area?’. After it’s deportation from our area the Museum will be living a very lively life online (especially Facebook and Twitter), with resources including links to about how to trace your lineage,  the impact of immigration in the UK, and refugees.

 

Before its departure, the Migration Museum is hosting a number of free activities (have we mentioned how much we love free stuff?), and some are kiddo friendly. We will definitely be at a few, so just wave wildly and we might spot you….But you won’t spot us as you don’t know what we look like…So just wave at everyone

A Judge’s Journey; John Dyson (the Hoover guy) in conversation with Shami Chakabarti, 31.10 18:30 – 20:00. And yes, tickets are still available!

Family History Day; a day to explore genealogy and local history (kid friendly) 2.11 10:30 – 16:30

Special Opening; A final opportunity to explore the collection, including Caribbean Takeaway and Room to Breathe. 23.11  12:00 – 18:00. This will be your last gasp before the Migration Museum flees our shores!

#migrationmuseum

Newport St. Gallery and Damien Hirst

Honorary Kennington resident Damien Hirst has the very fortunate problem of having too much art on his hands. We at KR Towers can sympathise and have a very similar problem. Well, if you substitute ‘art’ with ‘chipped coffee mugs’. He’s allowed us to dip a toe into his voluminous collection and it is currently show at his very own Newport Street gallery in Vauxhall. We recently zipped along to check it out.
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This tiny sample of Hirst’s vast collection gives the viewer an intriguing insight into his tastes and influences and includes works by Francis Bacon, Helen Frankenthaller, Andy Warhol, Sarah Lucas, and the man himself. His interest in shocking the viewer is evident in this grouping, but perhaps less so than in much of his personal body of work. Themes of death and despair are certainly evident, but so are whimsical motifs (his interest in Jeff Koons springs to mind). Be sure not to miss his barnacled Mickey Mouse upstairs. The collection spans genres and mediums and includes sculpture, oils, and even a door by William S. Borroughs.

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In the midst of this collection are two rooms dedicated to the current work of artist John Squire. We didn’t really engage with this, but it is heavily influenced by music, motion, with multimedia aspects. And for the music nerds out there, this is the same John Squire who was the guitarist for the Stone Roses.

‘Reasons Give no Answers’ and ‘John Squire: Disinformation’ are on now and run until mid November. And totally free…..and we love that…..

Damien, if you are a KR enthusiast (and we reckon you are) feel free to drop us a line and we will return the favour by showing you selected works from our own collection.

Below:

‘Chipped coffee mug with PG Tips bag’                                                                                                   ………Ceramic and mixed media, 2019                                                                                                     ……….Collection of Kennington Runoff

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The Cinema Museum and Lambeth Workhouse

The Cinema Museum is without question a local institution, and often one that is sometimes overlooked in our busy lives. The first of this two part piece is about the Cinema Museum itself. The next is about the intriguing history of the building and space in which it inhabits. Namely, the Lambeth Workhouse and former home of Charlie Chaplin (who seems to have lived in every property in Kennington).

The Cinema Museum was founded as a private collection in 1986 in Brixton. In 1998 it moved to the then derelict masters quarters of the Lambeth Workhouse which offered it the chance to expand it’s growing collection of cinematic ephemera and to also show films and provide a space for film related events. This hybrid role meant that it could act as a cinema and also a quirky and weird museum of lights, film posters, projectors and costumes which persists to this day.

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Given their limited budget the museum is usually only open to the public by appointment or before and after a screening, gig or a talk. On film nights you can pitch up early and have a intrusive KR prod around its nooks and crannies. Coming up on Thursday BBC journalist Samira Ahmed is speaking as part of their Argentinean film series and vintage flicks are shown on an almost daily basis. They also have upcoming film screenings introduced by Ken Loach and even *clutches Kennington pearls* former porn stars.

The Cinema Museum is a local asset very much at risk of closure without donations and relies entirely on people turning up to events (mea culpa!).   Even if you don’t give a hoot about the film on offer it’s a great chance to have a nose around and learn a bit about of cinematic history. And they have a bar!

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Open House London

We love nothing more than sticking our noses where they don’t belong, and what better opportunity to undertake this sniffy task is Open House London weekend, which beckons in a few days (21-22 September).

Open House London is an event which promotes the appreciation of architecture by flinging open the doors of otherwise closed spaces to the public, and is totally free. There are a range of venues open for us to see in Lambeth and Southwark but lets not be precious about our anointed patch of earth; there’s stuff going on around the capital (800 and counting, apparently). Below are links to local things we have seen recently and recommend. Last year we particularly enjoyed a gander around the former Beaufoy Institute in Black Prince Road, which has been turned into a Buddhist centre.

International Maritime Organisation

https://openhouselondon.open-city.org.uk/listings/7730

National Theatre

https://openhouselondon.open-city.org.uk/listings/1172

The Beaufoy (Diamond Way Buddhist Centre)

https://openhouselondon.open-city.org.uk/listings/7275

Kia Oval

https://openhouselondon.open-city.org.uk/listings/7143

Waterloo City Farm

https://openhouselondon.open-city.org.uk/listings/6775

Kirkaldy Testing Works

https://openhouselondon.open-city.org.uk/listings/856

The Old Operating Theatre Museum and Herb Garret

https://openhouselondon.open-city.org.uk/listings/1268

If you have your heart set on seeing the inside of Lambeth Palace don’t get your hopes up as we’ve tried for the better part of 20 years and solving the great pong of Kennington tube is probably more achievable. If you want to have a go at seeing it and other iconic venues (such as 10 Downing Street and Mansion House), bookmark Open House in your diary and apply next summer.  Here’s to being nosy!

City and Guilds MA Show

Yesterday we scooted our little Kennington legs over to City and Guilds to catch the preview of their mighty MA show. We highly recommend it but please be forewarned that it is huge. And we’re talking ‘take a pack lunch as you might get lost and hungry’ huge and is set over four floors of their atmospheric Georgian buildings.

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The MA degree show showcases the work of 31 artists and is staged across the school. The artists embrace mediums from oils and acrylics to applied art, sculpture, textiles, and even, err….pickled things. Most of the artists are present to explain their work and, failing that, there are useful viewing notes that describe their sometimes curious approach to their craft. And     most of the work on display is also for sale.

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It’s difficult to ascertain an overall theme to this year’s show, but recurrent themes seem to be about isolation, technology and alienation. Having said that, there is a pervasive theme of playfulness and frivolity in many of the works. If you want to encounter real, hands on work in progress there is an artist creating textiles and is happy to discuss her work with you. Also, in the ‘historic carving’ area you can have a chat with Taku Obata and watch him hard at work creating sculptures in wood. And this might be your only chance in life to meet a Japanese sculptor/break dancer/hip hop artist.

 

Top tip – If your other half is looking puzzled at any point and says ‘what the hell am I looking at’, look them square in the face and say ‘It’s about IDENTITY’. If they reply ‘no it isn’t’, then say ‘it’s about MEMORY’. It works every time.

City and Guilds is on Kennington Park Road and the entrance is on the side next to Cleaver Square. The hours are

Tuesday, 10 Sept  to Sunday, 15 September    12 – 5.

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