Moore for the people

Did you know there’s a Henry Moore sculpture in Kennington Park? You did? Well we didn’t, so we’re here to tell you moore about it.

The sculpture is called ‘Two Piece Reclining Figure #3′ and it isn’t actually in Kennington Park, but rather nests peacefully in the Brandon Estate (the tall buildings to the back of the park). It is one of five that were cast by Moore, probably in 1961. It was purchased in 1962 by Southwark under a scheme to place artworks in post war estates called ‘The Abercrombie Plan’. The plan was surprisingly modern in hindsight; acknowledging that the psychological perception of a place isn’t just down to basic amenities, but also creative detail. We wrote about other works of art purchased by the plan a few months ago. 

For those of you not familiar with Henry Moore, he is best known for his semi abstract bronze and marble works, usually depicting women at rest. He was from Yorkshire, and it is speculated that his figures were influenced by the rolling hills of his birthplace. To us, ‘#3’ appears to be influenced by the female sculptures of the Elgin marbles, but who are we to put ideas in your head. A well known Socialist, Moore believed that art was to be enjoyed by the masses and he must have been very proud that this casting of ‘#3’ can be seen by everyone on the Estate. 

Sadly a number of pieces of public art have been stolen and in 2012 Southwark council had to take some quite expensive measures to prevent our Moore from the same sad fate. The residents of Brandon Estate also deserve credit. A bit of free culture while the museums are shut, and It’s a perfect place for a serene picnic without the worry of getting hit on the head with a non socially distanced football. 

Blitz Children

The other day we were on our permitted one hour perambulation in Vauxhall and stumbled across a quite poignant sculpture. We put it on Instagram (where we’re much more clever) and that started a small conversation about its origins. This spiked our curiosity, so we decided to step back from trying to remember what day of the week it is our hectic schedule of Zoom meetings, to undertake some research. 

Following the war there was a shift from commemorative to public sculpture as a way to lift spirits and add to public enrichment. However, after the war Lambeth were seriously short of cash. Equally skint was Hungarian artist Peter Peri, who was able to make works cheaply by means of applying moulded concrete onto wire mesh. When local authorities began commissioning artists to create works in newly constructed housing estates, he put has name forward and he was commissioned to create three works in Vauxhall and Oval. 

The sculpture in Vauxhall is called ‘Following the Leader’ and was created between 1949-1952. This moving composition depicts children holding hands in a spiral to the sky, as an homage to children killed during the blitz.  Fortunately it is Grade II listed. The other two sculptures are in Oval are of slightly lower quality but still very interesting (both below). ‘Boys Playing Football’ depicts a group of lads doing just that, kitted out in their awkward leather boots. ‘Children Playing’ depicts a mum playing ring o’roses with her children. Curiously, all three works face internal courtyards. Perhaps this testifies to Mr. Peri’s background as a socialist and champion of everyday folk. 

One of our goals as the Runoff is to get people out of the house and explore, but of course this is largely not possible at the moment. But if you find that your daily exercise is getting a tad bit monotonous, set these little gems as your destination:

Following the Leader – on Darley House, Laud St. 

Boys Playing Football – on Wareham House, Carroun St. 

Children Playing – on Horton House, Meadow Road. 

The pieces in Oval are very close to one another.

Classical Vauxhall

We don’t know a great deal about classical music, but we do know a thing or five about having a good time in Greater Kennington. If you have the time you could do a lot worse than check out the upcoming ‘Classical Vauxhall’ series. It promotes itself as embodying ‘drama and emotion of classical music in three of Vauxhall’s most quirkiest venues’. This has KR approval stamped all over it, especially when you add in that there will be a bar and a chance to meet lovely locals.

ClassicalVauxhall_Hero_2The fun kicks off on Thursday, 6 Feb. in St. Peter’s Church in Vauxhall. If you’ve never been then you should check it out anyway as it’s a beautiful great mammy of Victorian Gothicness with what we imagine are pretty fine acoustics.

Thursday 6th Feb, St. Peter’s Church – Quatuor Zaide & Fiachra Garvey

 

On Friday, 7 Feb. the classical fun continues at that playground of Georgian reclamation, Brunswick House (home of LASSCO). Now you might be thinking ‘I never really intended on spending my Friday night in a traffic roundabout in south London’ but LASSCO is worth it, if for no other reason then see the amazing if wildly unattainable objects on sale.

 

Friday 7th Feb, Brunswick House – Sean Shibe

Moving northwards and forwards, on Saturday 8th Feb the classical wave vibrates on to a KR fave, the fascinating Gardening Museum located at the side of Lambeth Palace (also Lambeth’s oldest building)

Saturday 8th Feb, Garden Museum – Adam Walker & Fiachra Garvey

 

While you might not know a great deal about classical music either, imagine the fun you can have impressing your friends with a conversation along the lines of this:

SALLY – Hey Paul, get up to anything musical this week?

PAUL – Thanks for asking Sally. Well, I figured out that the giant Daisy on ‘The Masked Singer’ is probably Charlotte Church. You?

SALLY – I went to a classical concert at Brunswick House

drops mic

CRIBS!

We know that you rely on us for riveting local matters, such as public toilets that might be turned into cocktail bars or scary garden gnomes which look like Tony Blair. However, once in a while public service beckons and we strive to join forces the larger community good.

A few years ago our Kennington friends over at the Earl of Bedlam posited the idea of a community information area in front of St. Anselm’s church to replace the one which has, quite literally, fallen off the wall in recent years. After consultation with an architect in Cleaver Sq. this evolved into more of a message board and 3D ‘monument’ taking more prominence towards the road and direct pedestrians to elevate their gaze above the isolation of their phones.  The current project is called ‘CRIB’ or ‘Community Resources Information Board’.

The initial purpose of the monument was hybrid. One was to act as an epicentre  for local people who want to meet  or impart a  message, and also to act as a permanent stone monument to celebrate our collective Kennington lives. Following a very well attended consultation last summer, the organisers decided that their plans might have been a bit ambitious in a community where resources were being cut, and this was scaled back to a message board with a stone seating area. Also in the mix was rotating art exhibits and contributions from City and Guilds art school in Kennington Park Road.

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The current proposal is the creation of a four sided stone plinth with four protected message boards and the aforementioned arts contributions from City and Guilds. The plinth will be made of a stone called Swaledale, which has preserved fossils from many millennia. This has been used previously in the very handsome new exit to Green Park station next to the Park. A current concept is that the stone will be engraved with the names who have contributed to the project, in Caroline’s words ‘from pennies to the thousands’.

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We celebrate these kinds of initatives not only as they create and perpetuate a sense of civic pride, but it also reaches out to the many people in our community who do not have access to the internet or who are not confident in using it.  If you are reading this we assume that you are probably interested in this project and how it might improve our special community. There are loads of ways to get involved in this project and the first way is to join their facebook group called ‘CRIBSKennington’. That bit doesn’t cost anything!

Peace on Earth, Goodwill to Free Pastis

Two upcoming free, fun events in Vauxhall and Walworth to sink our little SE11 (and 17 and 1) teeth into to get us into the Christmas spirits, folks! Tomorrow night (Monday) London’s Night Czar and all around good egg Amy Lame will be switching on the lights of the Vauxhall Christmas tree at around 6pm with a little help from a serenading London Gay Men’s Chorus. And you know how we get about freebies, there will be free (no way) pastel de nada (Portugese custard tarts..stick with us) and hot chocolate provided by our friends at Maderia Cafe in Vauxhall… Don’t be late!

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We often have ‘London Guilt’ about not finding time for the great bi annual events at Pullen’s Yard over in Walworth, but this year we’ll be all over it like a Berkeley Homes bulldozer with planning permission. Pullens Yard is an artistic enclave of 60 artist studios set in a Victorian cobbled mews. Over the next week they will be flinging their doors open to show what they do and will have a variety of art and objects to sell. But will there be free tarts, I ask you? If not, our friends at cool The Electric Elephant  will feed ya. Details below….

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A Little History of 20th Century Architecture in Our Realm, Part 1

Ok boys and girls, move your chairs up. We’re about to tell about the recent history of the Duchy of Cornwall Estate in two petite, pop up pieces. The first covers the development of the area in Kennington and Vauxhall from 1890 to 1914; the second covers the era between the wars. For the unaware, the Duchy is one of the titles of the Prince of Wales, which is why you can see his heraldic badge popping up around the area. We’ve included a few pics of what we are writing about the bottom, and we have more on our Instagram page.

The modern history of the Duchy Estate commenced in the 1890’s when many middle class folk were abandoning our area. Kennington had not escaped the exodus of people to greener and cleaner areas in the suburbs, and most of the housing stock had become very run down. The Duchy was concerned about the conditions in which many of our predecessors lived, and a start was made in 1893 to create modern, cleaner tenements. These first edifices were social experiments and still very much exist in Chester Way, the Duchy Arms end of Courtney St, bits of Newburn St, and Kennington Lane among other places.

In 1909, following a tour of housing estates in Germany, Stanley Adshead proposed further development of the Estate as more land became available. His idea was to draw middle class people back to our area, but the Duchy resisted as it felt it had a much more noble obligation to re-house existing tenants, mostly the old and working poor who were living in very substandard conditions. What they agreed on and what we still see today reflect a compromise. The houses on Denny Street (where you can see the German gabled influence of Ashtead’s travels), Cardigan St, and the bottom of Courtney Street were then created not for the destitute, but for older people and working families who deserved something better. A new and revolutionary kind of tenement was also erected, now called Woodstock Court, set around a central courtyard.

In designing some of the homes of this period, Ashtead was influenced by the Georgian houses in Kennington Road, which by that time were well over 100 years old. As an urban neighbourhood he appreciated the scale and feel of being in a town, as opposed to the rustic terraces inspired by Victorians like William Morris, and his small squares remain an influence. One of his last projects was St. Anselm’s Church in Kennington Cross. Work was commenced and then paused in 1914 due to the war, not to be resumed until 1933. You can see the pause in the brickwork about 16 feet on the side of the building. And this, reader, is where our story itself pauses.

In our next atom of archival architecture we will move through the first world war and up to the second, and focus on the estates in Oval and further into Vauxhall.

If you would like some more insight into the Duchy of Cornwall Estate check out this documentary on YouTube. If you have a poor attention span like us scroll to minute 41 where they talk about Kennington, Vauxhall and Oval. You might even see your own home!

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The Migration Museum

The other day we toddled over to Lambeth High Street to revisit the Migration Museum, only to discover that they are only open to special events ahead of moving. We reached out and discovered that while they aren’t technically closing, they just need a new venue, but in the meantime have a range of activities to titillate our Kennington senses.

 

Political events in recent months and years have cast a vivid light on migration and how it has shaped this country. The Museum certainly embraces the notion that migration has been beneficial to Britain, and uses examples of the real lives of immigrant groups to explain not only how they integrated into British society, but also how they incrementally changed it. This is achieved through photos, graphics, quotes, and art.

 

You might be asking, ‘why am I reading about a museum that is about to leave our area?’. After it’s deportation from our area the Museum will be living a very lively life online (especially Facebook and Twitter), with resources including links to about how to trace your lineage,  the impact of immigration in the UK, and refugees.

 

Before its departure, the Migration Museum is hosting a number of free activities (have we mentioned how much we love free stuff?), and some are kiddo friendly. We will definitely be at a few, so just wave wildly and we might spot you….But you won’t spot us as you don’t know what we look like…So just wave at everyone

A Judge’s Journey; John Dyson (the Hoover guy) in conversation with Shami Chakabarti, 31.10 18:30 – 20:00. And yes, tickets are still available!

Family History Day; a day to explore genealogy and local history (kid friendly) 2.11 10:30 – 16:30

Special Opening; A final opportunity to explore the collection, including Caribbean Takeaway and Room to Breathe. 23.11  12:00 – 18:00. This will be your last gasp before the Migration Museum flees our shores!

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Newport St. Gallery and Damien Hirst

Honorary Kennington resident Damien Hirst has the very fortunate problem of having too much art on his hands. We at KR Towers can sympathise and have a very similar problem. Well, if you substitute ‘art’ with ‘chipped coffee mugs’. He’s allowed us to dip a toe into his voluminous collection and it is currently show at his very own Newport Street gallery in Vauxhall. We recently zipped along to check it out.
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This tiny sample of Hirst’s vast collection gives the viewer an intriguing insight into his tastes and influences and includes works by Francis Bacon, Helen Frankenthaller, Andy Warhol, Sarah Lucas, and the man himself. His interest in shocking the viewer is evident in this grouping, but perhaps less so than in much of his personal body of work. Themes of death and despair are certainly evident, but so are whimsical motifs (his interest in Jeff Koons springs to mind). Be sure not to miss his barnacled Mickey Mouse upstairs. The collection spans genres and mediums and includes sculpture, oils, and even a door by William S. Borroughs.

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In the midst of this collection are two rooms dedicated to the current work of artist John Squire. We didn’t really engage with this, but it is heavily influenced by music, motion, with multimedia aspects. And for the music nerds out there, this is the same John Squire who was the guitarist for the Stone Roses.

‘Reasons Give no Answers’ and ‘John Squire: Disinformation’ are on now and run until mid November. And totally free…..and we love that…..

Damien, if you are a KR enthusiast (and we reckon you are) feel free to drop us a line and we will return the favour by showing you selected works from our own collection.

Below:

‘Chipped coffee mug with PG Tips bag’                                                                                                   ………Ceramic and mixed media, 2019                                                                                                     ……….Collection of Kennington Runoff

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The Cinema Museum and Lambeth Workhouse

The Cinema Museum is without question a local institution, and often one that is sometimes overlooked in our busy lives. The first of this two part piece is about the Cinema Museum itself. The next is about the intriguing history of the building and space in which it inhabits. Namely, the Lambeth Workhouse and former home of Charlie Chaplin (who seems to have lived in every property in Kennington).

The Cinema Museum was founded as a private collection in 1986 in Brixton. In 1998 it moved to the then derelict masters quarters of the Lambeth Workhouse which offered it the chance to expand it’s growing collection of cinematic ephemera and to also show films and provide a space for film related events. This hybrid role meant that it could act as a cinema and also a quirky and weird museum of lights, film posters, projectors and costumes which persists to this day.

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Given their limited budget the museum is usually only open to the public by appointment or before and after a screening, gig or a talk. On film nights you can pitch up early and have a intrusive KR prod around its nooks and crannies. Coming up on Thursday BBC journalist Samira Ahmed is speaking as part of their Argentinean film series and vintage flicks are shown on an almost daily basis. They also have upcoming film screenings introduced by Ken Loach and even *clutches Kennington pearls* former porn stars.

The Cinema Museum is a local asset very much at risk of closure without donations and relies entirely on people turning up to events (mea culpa!).   Even if you don’t give a hoot about the film on offer it’s a great chance to have a nose around and learn a bit about of cinematic history. And they have a bar!

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Open House London

We love nothing more than sticking our noses where they don’t belong, and what better opportunity to undertake this sniffy task is Open House London weekend, which beckons in a few days (21-22 September).

Open House London is an event which promotes the appreciation of architecture by flinging open the doors of otherwise closed spaces to the public, and is totally free. There are a range of venues open for us to see in Lambeth and Southwark but lets not be precious about our anointed patch of earth; there’s stuff going on around the capital (800 and counting, apparently). Below are links to local things we have seen recently and recommend. Last year we particularly enjoyed a gander around the former Beaufoy Institute in Black Prince Road, which has been turned into a Buddhist centre.

International Maritime Organisation

https://openhouselondon.open-city.org.uk/listings/7730

National Theatre

https://openhouselondon.open-city.org.uk/listings/1172

The Beaufoy (Diamond Way Buddhist Centre)

https://openhouselondon.open-city.org.uk/listings/7275

Kia Oval

https://openhouselondon.open-city.org.uk/listings/7143

Waterloo City Farm

https://openhouselondon.open-city.org.uk/listings/6775

Kirkaldy Testing Works

https://openhouselondon.open-city.org.uk/listings/856

The Old Operating Theatre Museum and Herb Garret

https://openhouselondon.open-city.org.uk/listings/1268

If you have your heart set on seeing the inside of Lambeth Palace don’t get your hopes up as we’ve tried for the better part of 20 years and solving the great pong of Kennington tube is probably more achievable. If you want to have a go at seeing it and other iconic venues (such as 10 Downing Street and Mansion House), bookmark Open House in your diary and apply next summer.  Here’s to being nosy!