The Brandon Estate

From the archives, the fifth and next to last of our month of best history posts

If you’ve ever been to the back half of Kennington Park, or indeed if you live there, you would have noticed the large towers that constitute the most vertical part of the fascinating 36 acre Brandon Estate in Walworth.  Visionary Architect and Communist Edward Hollamby was the principal designer and most of the work was underway by 1956, with his brief by the LCC to capitalise on the post war enthusiasm generated by the Festival of Britain on the Southbank. 

At the eastern Lorrimore Road end of the Estate, Hollamby tried to preserve the pre war Victorian street pattern and keep the few homes that survived, while filling in the holes with modern three bedroom properties. In Forsyth Gardens he created a new square lined with four story maisonettes with a central garden intended as a ‘revival of Georgian town planning traditions’. 

On the other side of Cook’s Road the Estate took on a more striking and risque modernist form. Napier Tower was at the threshold of the foot friendly shopping precinct and beyond it the signature 18 storey blocks nestled into Kennington Park, and in 1957 they were the tallest the LCC had built. As you walk around the Brandon Estate today you’ll notice that it is a very early example of the ‘mixed use’ development. It provided a range of housing options for different kinds of families at different stages of their lives interspersed with shopping for people who don’t drive. 

If you watched ‘Doctor Who’ from 2005 – 2010, you might recognise the Estate as one of the most iconic locations of those series. The Estate, known as the ‘Powell Estate’ in the show, was home to Rose Tyler (Billie Piper) and her mum. The poor courtyard in front of their flat witnessed a TARDIS crash landing, a cyber ghost invasion, and even the Tenth Doctor’s (David Tennant) regeneration.

The Estate is also home to a beautiful Henry Moore statue which we wrote about in 2020

Edward Hollamby, the Architect of Greater Kennington

A great deal of the built environment around us in Greater Kennington can be linked directly to architect and visionary Edward Hollamby (1921 – 1999). Like many architects of his generation, Hollamby was profoundly influenced by the values of William Morris. Namely, those relating to equitable living conditions and the universal right for people to work and live in places which allow them to flourish. There was no better way to execute these values that by working for local government, and Hollamby worked for both the LCC and Lambeth Council. 

Locally,  Hollamby is known primarily for being the lead architect of the Brandon Estate in Walworth (behind Kennington Park), which we wrote about last summer. His vision for the estate was to build a community which addressed the individual and changing needs of its residents, make shopping easier, while also creating large green spaces to allow people to relax and children to play. And to make the area more aesthetically pleasing he even convinced Lambeth to commission a sculpture by Henry Moore, which is very much still there.

As lead architect in Lambeth Hollamby hired Peter Finch, who designed the Cotton Gardens Estate in Kennington Lane (we are aware that these buildings remain a tad controversial). Hollamby/Finch’s thinking is that they wanted buildings which ‘danced around in different directions’ depending on how one looked at them. It’s often overlooked that at ground level they created green spaces in addition to bungalows and maisonettes for people who didn’t fancy  living in a high rise. A walk around Knight’s Walk around the foot of the buildings is a bit like a stroll in a park. And if the towers look very familiar to others in South London, that’s because they were all made from complex interlocking panels which were massed produced. 

Hollamby was also the brains behind the unusual and rather playful Lambeth Towers in Kennington Road, with the lead architect again being Finch. The building was started in 1964 with the intention of being mixed use, which it is to this day, and the box like design intended to allow each maisonette to be double aspect and have its own balcony. These buildings are classed as being ‘Brutalist’ but that name seems to stick to every 20thCentury building with a bit of exposed brick. Figuring out when a building becomes ‘brutal’ therefore becomes rather like an architectural game of Wordle. You may or may not find these estates to be beautiful, but Hollamby always made the needs and wishes of the residents paramount.