The Three Stage Life of Imperial Court

From the archives, the second edition of our month of best history posts

Fixate your eyes girls and boys, as we’re about to give you a little potted history of a lovely neo Classical institution in Kennington Lane with a funny badge on the front of it; Imperial Court.

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  1. 1. The Licensed Victuallers School, Kennington Green

In 1794 the Friendly Society of Licensed Victuallers was established to educate the children of publicans affected by long term illness, incapacity, or poverty (take it from Peggy Mitchell, running a pub isn’t easy). As this was the era that proceeded free public education, publicans were keen to ensure their children’s education and well being. The school was so popular that admission was granted exclusively on the basis of a lottery, but over time the school was so oversubscribed that a larger building was required.

The original school was demolished in 1835 and the core of the building we have inherited was erected in 1836 (with extensions in 1890). The school was now able to expand its enrollment from 100 to 250 pupils, both boys and girls. The children were generally taught apprenticeships and educated from the age of 7-12 until they were 15, and then sent on their way with a small bonus for good conduct. The school moved to Slough in 1921.

  1. NAAFI

Following WW1 The comprehensive welfare of Forces was put into sharp focus, and from 1921 to 1992 Imperial Court again served the public proudly as the headquarters of  the Navy, Army, and Air Forces Institutes, or ‘NAAFI’. NAAFI existed (and on a much smaller scale still does) to provide catering and recreational activities needed by the British Armed Forces and their families posted overseas. This included mess services, selling British goods, and organising entertainment and activities.

Providing non combat services to troops and families required trained staff, on a voluntary and on a paid basis. To this extent NAAFI in Kennington served as a training centre for cooks, cleaners, caterers, and people interested in the logistics of getting auxiliary services to people overseas. Training at NAAFI was often undertaken by women, and their work in the war effort is duly celebrated at the Imperial War Museum (keeping it local).

Join the NAAFI - Serve the Services (Art.IWM PST 0764) whole: the image is positioned in the upper three-quarters, with three smaller images located in the lower right. The title is partially integrated and placed in the upper third, in green and in red. The text is separate and located in the lower quarter, in green and in red. The smaller images and text are held within a white inset. All set against a light green background. image: a shoulder-lengt... Copyright: � IWM. Original Source: http://www.iwm.org.uk/collections/item/object/23806

3. Flats

Imperial Court was Grade 2* listed in 1980, so it is luckily beyond the grasp of the wrecking ball. After it was sold in 1992 it was converted into flats and now functions as a home to your neighbours.

Manor Place Baths

From the archives, the first edition of our month of best of history posts

From Baths to Boxing to Buddhism

Victorians are well known for many things. We know they were sanctimonious and strived to make our minds pure, and the natural progression was to have clean bodies and clothes,  so for the health and hygiene of all the mortal bodies of Walworth, in 1895 work got underway to create Manor Place Baths. In addition to offering showers, it also had three swimming pools, private changing cubicles and large do it yourself laundry facilities. Think of it as kind of a Victorian water park.

Over the years the Baths became more of a community centre and also a place for people to obtain a bit of privacy in an era where privacy was at a premium. Women could trade children’s clothes, men could catch up in the men’s pool, and even children could come along. As the pools weren’t heated and our Greater Kennington forebears didn’t fancy losing their toes to frostbite, the men’s and women’s pools were covered over with wooden flooring in the wintertime, which gave said forebears a brilliant idea……Use it in the winter as a boxing venue. 

Manor Place saw its first bout in 1908 and went on to host a roll-call of the famous and infamous, including the Kray twins. It became so well known that when the BBC began to broadcast boxing they chose our little Baths as their first venue. For more than 40 years, The Metropolitan Borough of Southwark’s Charity Boxing Committee organised the bouts, which saw the cream of the boxing world come to Walworth, giving locals the chance to see top-flight, professional boxing on their own doorstep

Fast forward to the 1970’s. By then the now sadly extinct Heygate Estate had been built and most people had their own bathrooms. Domestic labour saving washing machines were now commonplace and those who didn’t found that newly opened laundrettes would do quite nicely. The final nail in coffin of Manor Place came when the new Elephant and Castle Leisure Centre opened in 1972, which put into sharp focus just how deteriorated and outdated Manor Place had become.

Later in life our Baths were used as offices for Southwark Council and later rented out by a Buddhist organisation for use as a meditation facility. It was purchased by Notting Hill Housing Trust in 2017 and it is currently being developed into market rate flats and ‘affordable’ housing. The reason this is taking so long is that the building is, thank baby Jesus, Grade II listed and Notting Hill have to be very careful as to how it is adapted. 

Christmas Fun in Bonnington Square

Yes, dear readers, we are notifying you of two Christmassy happenings in a row. We only have the press release to go by, but we are all invited to ‘Christmas at Italo’, a celebration sponsored by Italo Vauxhall in Bonnington Square. For those not in the know, Italo is a locally owned, pint sized delight of a deli, sandwich and Italian food shop. On Wednesday it will be open until 20:00.

From Italo – 

‘On Wednesday 21st December, Winter Solstice, there is a big local party. Starting at 4pm with country dancing in St Annes Hall, on the corner of Vauxhall Grove and Harleyford Road, 2 minutes walk from the shop. Then there will be the usual solstice pagan carols outside the shop, officiated by our local pagan priest David Spofforth, from 6.30… with mulled wine. Then there is a ‘Bring Food (Vegan and Vegetarian only) and Drinks to share” community party in the Bonnington Centre. Then upstairs at the Bonnington Centre. And everyone is very welcome to come, and bring many family and friends…’

We’re acutely aware of the renegade tendency of Runoff readers, so we implore you to respect the solstice, pagan and vegetarian nature of this event. To put it bluntly,  don’t pitch up in a nun’s habit with a giant gravy double bucket from the new KFC in Vauxhall.   We will certainly plan to abide by this. 

Charlie’s Home Movie

We’d like to share with you a fascinating clip of our local Tramp Charlie Chaplin visiting his old homes in central Kennington in 1959, where he lived in at least four places. In this home movie (at bottom) made by his wife, he first visits 287 Kennington Road, just behind the Doghouse Pub. The next home is at 3 Pownall Terrace, a now nonexistent row of homes just behind the Texaco in Kennington Road (and if your friends tell you that he lived in Pownell Terrace at the back of Kennington Park – smugly correct them). This flat is mentioned many times in his memoirs. And after a few scenes in West Square, Chaplin finds himself by a very different looking Methley Street where Chaplin, with his mum and brother, lived in the garret at number 39. Chaplin also famously lived at the Lambeth Workhouse which we wrote about in 2019. 

This video gives us a snippet of our hallowed patch in the 1950’s and is an interesting testament to how things change but at the same time remain constant.  After two minutes the video morphs into more of a traditional home movie, showing scenes of a rather dismal and tophatted London still recovering from bomb damage. And the brightest of you (which is most, as you’ve read this far), will see a brief glimpse of Chaplin’s old school, now the Lycee flats in Kennington Lane. 

Queer Art(ists) Now at Space Station 65

We recently attended the intriguing exhibit ‘Queer Art(ists) Now’ at Space Station Sixty Five in Kennington Cross. Now if you’re thinking ‘but I’ve never heard of this place’ then you can be forgiven. It’s a very underused artist run space and gallery in the car park (don’t we take you to the most glam places) of Kennington Film Studios. Which we all know as the legendary studio where ‘Richard and Judy’ was once filmed. 

Queer Art(ists) Now brings together 70 artists out of 300 applications and 1000 pieces of art and showcases the best in Queer art at the moment. They have also commissioned five artists to create bespoke works for the exhibit. The works are remarkable for their diversity and cover a range of mediums including oils, photography, film, textiles, papier mache, traffic cones, and discarded items. 

At times, exhibits like this can devolve into preachy diatribes about oppression, or become overtly political and worthy, which leaves people a bit deflated or alienates those who don’t come from that community.  This exhibit is curated in such a manner that it has a certain levity and playfulness about it, and makes you question your assumptions. There are works about the trans experience, body image, gender politics, sex, and the intersection between ‘straight and gay’ and what that means. The variety means you’ll likely come across something pleasing regardless of your tastes or sexuality.  On our visit we were greeted by a young man dancing in a dressing gown and they were giving away free permanent tattoos.

Queer Art(ists) Now is totally free and open Wednesday to Saturday 12 – 8 Until 8 October. They also have a variety of merch on sale to peruse. And why this great exhibition space isn’t used more regularly is one of life’s great mysteries. Like why you never see any baby pigeons or the sudden craze for Greggs branded clothing

City & Guilds Free MA Show

Under the flimsy guise of being actual journalists, we just attended the private view of the huge MA degree show over at City and Guilds in Kennington Park Road. This year does not feature the usual staples of woodcarving and conservation, with a larger emphasis on painting and sculpture. However, it extends over to the old telephone exchange in Kennings Way. 

The themes this year seem to run the gamut to contemplations over solitude, to Japanese anime, to broken pottery.   The MA show is totally free and open this week (Tues-Thu) from 11:00 to 17:00. It’s open until 20:00 on Friday with the tantalising caveat ‘bar from 18:00’.  It closes on Saturday, 10 September at 17:00. 

Kennington Tube Blazes the Trail

Unlike other areas in south London, Greater Kennington is awash with tube stations. Two of them, Kennington and Oval, were the first deep level electric underground stations in the world when they were completed in 1890 (aren’t we always ahead of the curve). The line was built by City and South London Railway Co. and originally stretched from Stockwell to King William St. (near Bank). It proved such a wild success that it inspired other speculative builders to rip up streets and dig routes into the City from places like Shepherd’s Bush (Central Line) and Waterloo (W&C Line). 

In 1890 alone our little stretch of what would later become part of the Northern Line attracted over five million passengers. The price of the fare was low enough to attract not just snooty bankers living in Kennington Lane, but also people who worked as clerks, in factories, or as teachers. The line also attracted sightseers to gawp over our anointed and hallowed patch and get some R&R in Kennington Park. And by 1897 more nerdy types might have been enticed by the first electric lift of any tube station (remembered by the now redundant dome). 

Entrance hall, 1934

For our forebears, all of the giddy thrill associated with travelling through a hole in the ground did have certain drawbacks. The carriages were described as  ‘padded cells’ and people faced stifling heat in addition to near blackouts when the train accelerated. As the novelty wore off electrified trams began scuttling down Kennington Park Rd. and into the City. Not only did trams minimise the risk of getting touched up in the dark, they also had many more stops. So profits began to decline for our pioneering Railway Company, and by the 1920’s  shareholders gladly sold up to the ever expanding tube network. 

Sadly, while researching this piece we made little headway in ascertaining the source of the great pong of Kennington tube. For those who weren’t around, the smell was somewhere between just stomped on cheddar cheese and wet cat hair. 

Trams on a very different looking Kennington Park Rd. at Oval tube.

A New Theatre for Greater Kennington

There’s a brand spanking new 300+ seat theatre set to fling open its cutting edge doors in Greater Kennington and we’ve just had a behind the scenes sneak preview of the place. Located in the surreally named ‘Uncle’ building in Newington Causeway, Southwark Playhouse is actually just moving from the other side of Elephant. The old site will be open for a few more years, but this will be the new permanent home of one of the most acclaimed theatres south of the river. The opening is set for the end of 2022, and if there’s a gala opening party we’ll play the ‘but we’re Kennington INFLUENCERS’ card to bag an invite*

The design of our new playhouse is actually something to behold in itself. The theatre is fully adaptable with the ability to remove all of the seats or even the galleries (!) to create theatre in the round, traverse, or proscenium staging. The new space also prides itself on its green credentials: Much of the wood is reclaimed and kept to a minimum, and there are a few living green walls in the cafes. One thing we love about the other venue is the very cool and somewhat ramshackle café area, where you can get a cheap pizza and cocktail before a show or at other times of the day. They’re hoping to recreate this in their new venue with council approval. Southwark, we’re wagging a fat Runoff finger at you as we type! 

What really makes Southwark Playhouse special is its free outreach programmes for young people aged 11 – 18 (Southwark residents). They also have acting groups for people aged 65+ and a ‘people’s company’ geared towards all adults who are interested in different aspects of the stage, from set design to acting. There is a studio in the building for the bespoke use of these groups.

If you’ve never been to the Playhouse, it focuses primarily on new writing and emerging artists in a manner similar to that of the Young Vic. Sometimes this work is challenging (the current offering is a musical about yeast), but at other times fun and delectable. Earlier this year we saw a Romeo and Juliet re-imagined  in a south London council estate in 1981 set to a soundtrack by Madness. We also had underpants thrown at us but we’ll ignore that. 

*This never works 

Erno in the Elephant

It may come a surprise that a post war high rise complex in Elephant and Castle is Grade II listed, but it is and we’re here to tell you how it happened. You’ve probably walked by Metro Central Heights a million times and never taken notice of it. It is fact the creation of Brutalist architect Erno Goldfinger, who was also the brains behind probably the most iconic high rises in Britain; Trellick Tower in N. Kensington and Balfron Tower in Poplar (pictured at bottom). In spite of this, he always considered his achievement in Elephant to be his most significant work. 

The building complex was christened Alexander Fleming House and when it opened in 1963 housed the Department of Health and Social Security. While many found the building soulless, the blocks were praised for their ‘clarity and vigour’ and for the added addition of public courtyards (not public anymore, but we’ll get to that) and green spaces between the juxtaposed buildings. It was also seen as an inspiration for the then mostly bombed out Elephant. Alexander Fleming House served the DoH dutifully for 30 years until it developed a nasty case of sick building syndrome and the civil servants were forced to flee to alternative premises. 

Luckily for our sick and unloved building, Goldfinger designed it speculatively and intended it for a variety of then unknown reasons. It lay empty for almost 20 years and was almost bulldozed (an attached Goldfinger cinema faced a sorry downfall in 1988) until it it was converted into 400 flats and rechristened Metro Central Heights in 2002. It was geared towards young professionals (that’s code for hideously overpriced) and the open public areas made not so public. Next time you walk by the complex you might want to reevaluate your opinion by looking at the angles, jutting windows, and over the railings into the courtyards 

Goldfinger was a notoriously fickle and humourless character, sometimes firing his employees on a whim and upsetting his snooty Hampstead neighbours by mowing down a row of Victorian cottages to erect his Modernist home (now a museum) at 2 Willow Road. One of these neighbours was none other than 007 author Ian Fleming. Unable to prevent Goldfinger’s builders from mowing down the cottages by traditional methods, Fleming exacted revenge in the only other way he knew how…..By naming his most famous Bond villain after the architect. 

The building still continues to totally divide opinion but, like it or not, was granted Grade II listing status in 2013. If you have a spare half million to toss around you can even be part of the experience. Apparently it has a pool. 

Deadname @ Gasworks Gallery

If you visit us regularly here on the Runoff you’re aware that when a new show arrives at Gasworks Gallery in Vauxhall we like to check it out for you. If you’ve never been to Gasworks it’s located at the Oval end of Vauxhall St. and is perfect if what you demand from a gallery involves Styrofoam coffins or dolls that talk to you. 

The new exhibition at Gasworks is called ‘Earth is a Deadname’ by Rotterdam based artist Lou Lou Sainsbury. This show was commissioned by Gasworks and is an exploration of transgender life outside the limiting language of medicalisation. The exhibition revolves around a performance film which touches on aspects of intimacy, feelings of difference, chance encounters, and evolution. A giant cymbal also features on screen and over your head but were going to leave that interpretation up to you. There is also a bedroom cabinet in the room with a range of items telling us that the trans experience is a collective one of unmaking and making the body. 

The larger gallery is dominated by a large scale glass installation with fluctuating levels of transparency, again alluding to the trans journey. As the journey is rarely straightforward, imbedded in the glass are trapped cigarette butts, dried flowers and other debris. The exhibition is punctuated by flesh like texts on the walls which swell like scars or stigmata. All very thought provoking for a little gallery in Vauxhall, and time well spent. 

Earth is a Deadname is on now until 18 September and is totally free. Gasworks is only open in the second half of the week so have a look at their website. The amber resin on the floor is part of the exhibit, so in your leaving comments please don’t write ‘Sainsbury, clean up in aisle one’!!!!!  (we couldn’t help ourselves).